Remembrance (1982)
A group of Devonport-based Royal Navy ratings, due to sail to America for a six-month NATO exercise, go out on the town on their last night in port, hitting Plymouth's notorious Union Street district, with violent results.
- Date of release
- 1982-10-01
- TMDB
- 4.5 / 10 (5)
- Runtime
- 1h 57m
- Genres
- Drama
- Director
- Colin Gregg
Casting
- Gary Oldman — Daniel
- John Altman — Steve
- Martin Barrass — Malcolm
- David John — Mark
- Pete Lee-Wilson — Vincent
- Timothy Spall — Douglas
- Nick Dunning — Chris (as Nick Durring)
- Ewan Stewart — Sean
- Al Hunter Ashton — John
- Sally Jane Jackson — Sue
- Kim Taylforth — Christine
- Michèle Winstanley — Gail
Interesting facts
Remembrance is a British ensemble drama about Royal Navy ratings of HMS Raleigh, who are about to embark on a six-month naval exercise. The film is noteworthy for early appearances of several well-known British actors, including Timothy Spall, Lisa Maxwell, John Altman and Gary Oldman in his film debut. It was an early production from Channel Four Films and was shown on 10 November 1982 on Channel 4. It was also one of the first films in the UK to be shown on television less than three years after its initial cinema release.
Production
Gregg got the idea for the film from his own experiences as a student at Plymouth Art College. It was largely shot on location, including interior scenes in two Union Street pubs, The Phoenix and The Two Trees.
The film was commissioned by Channel 4, before the channel had started broadcasting and was aired in the first week of the new channel in early November 1982, close to Remembrance Sunday.
Unusually for the time, the film had been given a cinema preview in June 1982 at the Screen on the Hill cinema in Hampstead. This was a purely opportunistic enterprise, taking advantage of the prominent role that the Royal Navy had played in the Falklands War to gain publicity for the film (and the upcoming launch of Channel 4), but it turned out to be a significant event in the relationship between cinema and television in the UK.
With historical perspective this can be seen as a pivotal point in the relationship between cinema and television [...] In the following two years Justin Dukes' formidable negotiating skills were brought to bear on the restrictive practice by the Cinema Exhibitors' Association of preventing any film for cinema showing being shown on television for three years after its release [...] Dukes argued that...
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