Черная Эммануэль

Черная Эммануэль (1975)

Emanuelle nera

После этого уже никто не будет прежним ...

Молодая, очаровательная и невероятно сексуальная девушка Эммануэль работает фотографом в редакции одного журнала. По работе ей приходится много путешествовать, чтобы собирать материалы для своих «горячих» репортажей. Из-за склонности к авантюризму она постоянно попадает в различные пикантные ситуации.

Дата выхода
1975-11-27
TMDB
5.1 / 10 (103)
Длительность
1 ч 36 мин
Жанры
драма, мелодрама, приключения
Режиссёр
Bitto Albertini
Коллекция
Черная Эммануэль (Коллекция)

В ролях

Интересные факты

  • Места съёмок: Кения

Black Emanuelle is a softcore sexploitation film from 1975 directed by Bitto Albertini. The film was set in Africa and shot mostly in Kenya. The music was composed by Nico Fidenco. Black Emanuelle was followed by a number of sequels, all revolving around the erotic adventures of Mae Jordan, a globe-trotting, hedonistic investigative journalist and photographer known to her readers as "Emanuelle". Her character has been described as "a strong and independent woman, sexually proactive, at the centre of wealthy young and old white men of power, and involved in any sort of depraved set and situation."

Production

According to the account in his memoir, Albertini came across a picture of Gemser at a travel agency while he was shooting in Kenya. Struck by her beauty, he located her agent in Gand (Belgium). Upon travelling there and telling him that he wanted her to star in a film, the agent tried to dissuade him, pointing out that she could hardly pose for a photograph properly, let alone act. Albertini, however, insisted.

Albertini's account omits that Gemser had already appeared in two films: Amore libero - Free Love and Emmanuelle 2.

Black Emanuelle was made to cash in on the success of the French film Emmanuelle with Sylvia Kristel, which was released the year before. Albertini claims it was he who omitted one m in the name of the lead character, in contrast to the French Emmanuelle character. It was deliberately omitted to avoid copyright claims.

Kristopher Spencer calls Fidenco's scores to the Black Emanuelle films "by turns sultry and serious, fun and funky", and describes the instrumentation and sound typical of these soundtracks:

Fidenco works with a small combo led by keyboards and guitars, adding exotic percussion, woodwinds, brass and string in small doses. The sound is sophisticated, groovy and melodically memorable, with occasional Latin rhythms, unusual electronic textures and production nuances that show the influence of proto-techno wizards Giorgio Moroder and Kraftwerk.

Читать в Википедии · Текст из Википедии, CC BY-SA 4.0. Данные Викиданных.

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