Angels One Five

Angels One Five (1952)

Pendant la Seconde Guerre mondiale, un jeune lieutenant de la Royal Air Force s'attire les foudres de son chef d'escadron quand il accidente gravement son avion de chasse, se blessant du même coup. Cloué au sol, c'est dans la salle des opérations qu'il va devoir participer à la bataille d'Angleterre. Le turbulent pilote n'aura de cesse de reprendre le combat aérien.

Date de sortie
1952-03-19
TMDB
6.1 / 10 (35)
Durée
1 h 38 min
Genres
Drame, Guerre
Réalisateur
George More O'Ferrall

Distribution

Anecdotes

Angels One Five is a 1952 British war film directed by George More O'Ferrall and starring Jack Hawkins, Michael Denison, Dulcie Gray, John Gregson, Cyril Raymond and Veronica Hurst. Based on the book What Are Your Angels Now? by Pelham Groom, the plot centres on a young fighter pilot immediately before and during the Battle of Britain in the Second World War. Some scenes in the film were shot at RAF Uxbridge, where there was a wartime operations room.

Production

The film was financed by the Elstree Group a financing scheme that operated for British films made by Associated British Pictures Corporation in the early 1950s. Associated British would make movies with part of the finance being provided by the National Film Finance Corporation.

Angels One Five featured a number of Hawker Hurricane fighter aircraft, with at least six airworthy examples, plus several others only used for static shots. Known aircraft include: Hurricane Mk.Is (L1592 and P2617) and Mk.IIc (LF363) on loan from the RAF Air Historical Branch, Hurricane Mk IIc (PZ865) lent by Hawker Aircraft, plus an additional five Hurricane Mk.IIc aircraft (numbers 544, 554, 600, 601, 624) from the Portuguese Air Force, which…

Ronald Adam, who plays the part of a Group Controller, was the Fighter Group Controller at RAF Hornchurch during the Battle of Britain. Squadron Leader Adam was a veteran of both the First and Second World Wars.

Kenneth More desperately wanted to play the role of Batchy but was unable to as he had signed to make Appointment with Venus.

Michael Denison said he had "a reasonable though not particularly exciting part" but considered the film a let-down as his wife, Dulcie, “was persuaded to accept a small part on the understanding that a scene would be added which would enable her, as a service wife, to do for the RAF what Celia Johnson did so memorably for the Navy in Noël Coward's In Which We Serve.

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