셔먼의 행진 (1986)
Sherman's March
로스 맥엘위는 남북전쟁 당시 셔먼 장군이 남부를 휩쓸며 남긴 파괴의 여파에 대한 다큐멘터리를 제작하려 하지만, 자신의 삶에 스쳐 지나가는 여성들, 반복되는 핵전쟁의 악몽, 그리고 버트 레이놀즈 때문에 계속해서 본래의 계획에서 벗어나게 된다.
출연진
- 로스 매켈위 — Self
- Dede McElwee — Self
- Patricia Rendleman — Self
- Charleen Swansea — Self
- Ross McElwee Jr. — Self
- 버트 레이놀즈 — Self
- Tom McElwee — Self
- Wini Wood — Self
- Dee Dee Geraty — Self
- Joyous Perrin — Self
- Richard Leacock — Self - Historical Narration (voice)
흥미로운 사실
- 촬영지: 사우스캐롤라이나주
- 수상: 1 · 노미네이트: 0. 주요 수상: Sundance Film Festival Grand Jury Prize for Best Documentary
Sherman's March: A Meditation on the Possibility of Romantic Love In the South During an Era of Nuclear Weapons Proliferation is a 1986 cinéma vérité documentary film written and directed by Ross McElwee. It was awarded a Grand Jury prize at the 1987 Sundance Film Festival, and was selected for preservation in the U.S. National Film Registry in 2000.
Production
McElwee called his previous film Backyard "a sketch for Sherman's March, an experiment in how I could approach the bigger film". He called the former film "cruder" because I was just learning to shoot as a one-person crew. I was just getting over that odd sense of camera shyness in reverse. It takes a while to summon the gumption to shoot people you know well, to be able to face them and talk to them as you're filming.
Initially, McElwee thought the film would be a "synthesis of Backyard and Space Coast," but the day after filming the Scottish games, his sister said—somewhat seriously, somewhat joking—"You should use the camera as a way to meet women." She's sincerely upset about my having ended my relationship with my girlfriend, and she's looking for ways to get me back on my feet. ...
McElwee set out to film Sherman's March with just a $9,000 grant (equivalent to $26,942 in 2025), and began conducting mostly impromptu interviews. "Pretty much I always walked in on them," he said, characterizing his methods. "I guess what my conversations have that conventional interviews don't is a serendipitous quality, and emotional charge that has something to do with the personal connection between the subject and the film-maker.
Principal photography lasted about five months, and McElwee estimated that he shot about 25 hours of footage: I was almost always ready to shoot. I kept the camera within reaching distance, sometimes balanced on my shoulder ... Even between major portraits, when I was on the road, I was totally open to filming whatever might happen in a gas station or in a restaurant, or wherever. So in one sense you can count all that time as "filming time."
위키백과에서 더 읽기 · 텍스트 출처: 위키백과, CC BY-SA 4.0. 데이터 출처: Wikidata.
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