黑皮肤的白人 (1970)
Watermelon Man
A racist insurance agent lives in a typical suburban neighborhood, but his bigoted world of taunting and harassing black people on and off the job is turned upside down when his skin inexplicably turns dark overnight.
- 上映日期
- 1970-05-27
- TMDB
- 6.3 / 10 (62)
- 片长(分钟)
- 1小时40分钟
- 类型
- 喜剧
- 导演
- 梅尔文·范·皮布尔斯
演员阵容
- Godfrey Cambridge — Jefferson Washington 'Jeff' Gerber
- 埃斯特尔·帕森斯 — Althea Janine Gerber
- Howard Caine — Mr. Townsend
- D'Urville Martin — Bus Driver
- Mantan Moreland — Joe the Counterman
- Erin Moran — Janice Gerber
- Scott Garrett — Burton Gerber
- 保罗·威廉姆斯 — Employment Office Clerk
- Kay E. Kuter — Dr. Wainwright
- Kay Kimberly — Erica
- Irving Selbst — Mr. Johnson
- Emil Sitka — Delivery Man
趣闻
Watermelon Man is a 1970 American satirical comedy film directed by Melvin Van Peebles and starring Godfrey Cambridge, Estelle Parsons, Howard Caine, D'Urville Martin, Kay Kimberley, Mantan Moreland, and Erin Moran. Written by Herman Raucher, it tells the story of an extremely bigoted white insurance salesman named Jeff Gerber, who wakes up one morning to find that he has become black. The premise for the film was inspired by Franz Kafka's Metamorphosis and by John Howard Griffin's autobiographical Black Like Me.
Production
Herman Raucher wrote the script on spec in 1969, after realizing that several of his friends who espoused liberal sympathies still admitted to holding on to racist ideologies. Columbia Pictures liked the idea but were afraid to make the film without a black director; they hired Van Peebles based on his film Story of a Three Day Pass.
Godfrey Cambridge plays the role of Jeff Gerber in whiteface for the first few minutes of the film, and then goes without the makeup when his character changes into a black man. Before Van Peebles had come into the project, the studio had told him that they were planning to cast a white actor like Alan Arkin or Jack Lemmon to play the part. Van Peebles suggested that they cast a black actor instead.
Raucher and Van Peebles frequently clashed on set, as Raucher intended the movie to be a satire of white, liberal America, whereas Van Peebles wanted to change Raucher's script to make it a black power movie. Raucher ended up novelizing his own screenplay to ensure that his original vision for the story survived in some form.
On the film's DVD release, Van Peebles says that Raucher wanted the film to end with Gerber waking up to discover that the events of the movie had only been a nightmare and convinced studio executives to allow him to film two alternate endings.
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