蒙特雷流行音乐节 (1968)
Monterey Pop
这部音乐会电影以 1960 年代流行艺术家的表演为特色,重点介绍了 1967 年加州音乐节的音乐。尽管并非所有在蒙特利流行音乐节上表演的音乐家都在电影中,但一些著名的表演包括 Mamas and the Papas、Simon & Garfunkel、Jefferson Airplane、The Who、Otis Redding 和 Jimi Hendrix Experience。亨德里克斯在表演后的滑稽动作——点燃一把吉他,折断它,然后把一个部分扔给观众——被捕捉到了。
- 上映日期
- 1968-12-26
- TMDB
- 7.4 / 10 (102)
- 片长(分钟)
- 1小时20分钟
- 类型
- 音乐, 纪录
- 导演
- D. A. Pennebaker
演员阵容
- Scott McKenzie — Self
- Denny Doherty — Self - Mamas and the Papas
- Cass Elliot — Self - Mamas and the Papas
- John Phillips — Self - Mamas and the Papas
- Michelle Phillips — Self - Mamas and the Papas
- Frank Cook — Self - Canned Heat
- Bob Hite — Self - Canned Heat
- Larry Taylor — Self - Canned Heat
- Henry Vestine — Self - Canned Heat
- 保罗·西蒙 — Self - Simon and Garfunkel
- 亚瑟·加芬克尔 — Self - Simon and Garfunkel
- Hugh Masekela — Self
趣闻
Monterey Pop is a 1968 American concert film by D. A. Pennebaker that documents the Monterey International Pop Festival of 1967. Among Pennebaker's several camera operators were fellow documentarians Richard Leacock and Albert Maysles. The painter Brice Marden has an "assistant camera" credit. Titles for the film were by the illustrator Tomi Ungerer. Featured performers include Big Brother and the Holding Company with Janis Joplin, Jefferson Airplane, Hugh Masekela, Otis Redding, Ravi Shankar, the Mamas & the Papas, the Who, and the Jimi Hendrix Experience, whose namesake set his guitar on fire, broke it on the stage, then threw the neck of his guitar in the crowd at the end of "Wild Thing".
Production
The American Broadcasting Company put up a $200,000 advance to get a film made about the Monterey Pop Festival for its new ABC Movie of the Week series. However, Monterey Pop never aired on ABC, a decision made by Thomas W. Moore, the head of ABC at the time and, according to Lou Adler, "a very conservative Southern gentleman". "We showed him Jimi Hendrix fornicating with his amp and we said 'What do you think?' " Adler recalls.
Monterey Pop was shot on 16mm film blown up to 35mm for theatrical release. Director D. A. Pennebaker said he recorded the audio on a professional 8-channel reel-to-reel recorder borrowed from the Beach Boys. The movie's theatrical release used a four-channel soundtrack that included two to three minutes of rudimentary surround sound. Dolby noise reduction was added in 1978 when fresh prints of the film were struck.
After Leacock-Pennebaker, the original production company, was dissolved in 1970, Pennebaker Associates acquired rights to the film.
在维基百科阅读更多 · 文本来自维基百科,CC BY-SA 4.0。数据来自 Wikidata。
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