不安と共に生きる (2017)
Unrest
慢性疲労症候群。博士課程の途中でこの病に倒れた女性が、自らの姿にカメラを向け、重篤ながら"怠け"と誤解されがちな疾患の理解を呼びかけるドキュメンタリー。
- 公開日
- 2017-10-20
- TMDB
- 6.9 / 10 (53)
- 上映時間(分)
- 1時間37分
- ジャンル
- ドキュメンタリー
- 監督
- Jennifer Brea
キャスト
- Jennifer Brea — Self
- Whitney Dafoe — Self
- Samuel Bearman — Self
- Jessica Taylor — Self
- Omar Wasow — Self
- Ruby Taylor — Self
- Colin Taylor — Self
- Kate Taylor — Self
- Dr. Nancy Klimas — Self
- Dr. Paul Cheney — Self
- Casie Jackson — Self
- Darwin Jackson — Self
豆知識
- 受賞:1 · ノミネート:0. 主な受賞:Sundance Special Jury Prize Documentary
Unrest is a 2017 documentary film produced and directed by Jennifer Brea. The film tells the story of how Jennifer and her new husband faced an illness that struck Jennifer just before they married. Initially dismissed by doctors, she starts filming herself to document her illness and connects with others who are home- or bedbound with myalgic encephalomyelitis/chronic fatigue syndrome (ME/CFS).
Production
The production of Unrest began when Brea picked up the camera to film her symptoms because she was being dismissed by doctors in the spring of 2012. Initially, she had wanted to possibly write a book using her videos as a source, but when she noticed doctors started believing her after seeing her recordings, she decided that the story would be better told visually.
The whole production process took four years. Brea spent the first year working out "how to make a film from bed" and raising money, then 1.5 years filming, and spent the remaining time editing. Brea used a Skype teleprompter to conduct interviews, and eventually found a way to stream an on-set camera to her computer. Gradually, she built a global team.
Unrest, initially named Canary in a Coal Mine, got its first round of funding from a 2013 Kickstarter campaign. Further funding came from various grants and fellowships. Impact Partners invested in the documentary during post-production. The overall production budget reached high six-figures over four years and was financed by a mix of crowdfunding and grants (70%), equity (20%), with 10% unaccounted for when the documentary was released.
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