Geschöpf des Schreckens

Geschöpf des Schreckens (1956)

The She-Creature

Der Mystiker und Hypnotiseur Lombardi ist bisher nur auf Rummelplätzen unterwegs, hat aber ungeachtet dessen eine Reihe bemerkenswerter Kräfte entwickelt, mit denen er seine Assistentin Andrea mittels Hypnose in frühere Inkarnationen ihrer Existenz zurückschicken kann. Gegen ihn arbeitet der Wissenschaftler Ted Erickson, der Lombardi entlarven will, just als dieser in seiner Show den Tod zweier Menschen durch die Klauen eines kambrischen Seemonsters ankündigt. Tatsächlich geschieht so, wie Lombardi es geheißen und als der Mystiker am Tatort gesehen wird, läßt Erickson ihn verhaften, doch die Beweise fehlen. Während Ericksen von Andrea mehr als beeindruckt ist, sucht sein Schwiegervater in spe Lombardis Nähe, um mit ihm das ganz große Geschäft aufzuziehen...

Erscheinungsdatum
1956-08-01
TMDB
4.1 / 10 (37)
Laufzeit
1 Std. 17 Min.
Genres
Science Fiction, Horror
Regie
Edward L. Cahn

Besetzung

Wissenswertes

The She-Creature is a 1956 American black-and-white science fiction horror film, released by American International Pictures (AIP) from a script by Lou Rusoff. It was produced by Alex Gordon, directed by Edward L. Cahn, and stars Chester Morris, Marla English, and Tom Conway, with Frieda Inescort and El Brendel in smaller roles. The producers hired Marla English because they thought she bore a strong resemblance to Elizabeth Taylor.

Production

The story was inspired by the success of the best-selling Morey Bernstein book The Search for Bridey Murphy, which concerned hypnotism and reincarnation. Exhibitor Jerry Zigmond suggested this subject might make a good film, and AIP commissioned Lou Rusoff to write a script.

AIP did not have enough money to entirely finance the film, so the company asked producer Alex Gordon if he could contribute the remainder. Israel Berman, a colleague of Gordon's brother Richard, knew financier Jack Doppelt, who agreed to provide $40,000 of the film's $104,000 budget.

Edward L. Cahn persuaded his old actor friend Edward Arnold to star for $3,000 for one week's work, and also cast Peter Lorre as the hypnotist. Arnold died two days before production began, while Peter Lorre read the script after which he immediately pulled out of the film and fired his agent for committing him to the project without consulting him first.

The monster costume was created by master make-up artist Paul Blaisdell and is considered one of his best. Parts of the costume were re-used in three later AIP films. Blaisdell nicknamed the monster "Cuddles". The costume was eventually destroyed in a flood that hit his Topanga Canyon home in 1979.

As usual, Blaisdell played the monster in every scene. Blaisdell nearly got injured when the director instructed him to smash his way through a wooden door in one of the film's action sequences, without realizing the door had been reinforced with plywood. Also in the beach scenes where the creature had to be seen emerging from the surf, Blaisdell was told to wade in up to his waist instead of his knees.

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