더 데들리 비스 (1966)
The Deadly Bees
Pop singer Vicki Robbins collapses from exhaustion while shooting ta music video; her physician prescribes a respite on Seagull Island with beekeeper Ralph Hargrove. Initially finding the Hargroves' bitter marital strife oddly relaxing, the arrival of specially-bred attack bees pushes Vicki to her survival instinct.
- 개봉일
- 1966-12-23
- TMDB
- 4.6 / 10 (44)
- 상영 시간(분)
- 1시간 23분
- 장르
- 공포, 스릴러
- 감독
- Freddie Francis
출연진
- Suzanna Leigh — Vicki Robbins
- Frank Finlay — H.W. Manfred
- Guy Doleman — Ralph Hargrove
- Catherine Finn — Mary Hargrove
- John Harvey — Thompson
- Michael Ripper — David Hawkins
- Anthony Bailey — Compere
- Tim Barrett — Harcourt
- James Cossins — Coroner
- Frank Forsyth — Doctor
- Katy Wild — Doris
- Greta Farrer — Sister
흥미로운 사실
The Deadly Bees is a 1967 British horror film based on H. F. Heard's 1941 novel A Taste for Honey. It was directed by Freddie Francis, and stars Suzanna Leigh, Guy Doleman, and Frank Finlay. The original screenplay was by Robert Bloch but was rewritten by Anthony Marriott. The film was released theatrically in the United States in 1967 and was featured in a 1998 episode of Mystery Science Theater 3000.
Production
Though the script was originally adapted from Gerald Heard's novel A Taste for Honey by noted author Robert Bloch, best known for Psycho, critics invariably derided the film, citing its uninspired acting, ludicrous special effects (including plastic flies glued to actors' faces to show them being "stung"), and continuity errors.
Bloch blamed the film's poor showing on the fact he wrote it for Christopher Lee and Boris Karloff (to reprise his performance from the 1955 TV version that aired as an episode of The Elgin Hour), who were both unavailable due to scheduling difficulties; and on the fact that director Freddie Francis and writer Anthony Marriott had decided to 'improve' Bloch's script. Bloch's screenplay featured Mr.
Bloch wrote in his autobiography Once Around the Bloch: An Unauthorized Autobiography:Once the completed screenplay arrived in England, the problem of matching stellar schedules – and salaries – put the roles into other hands and the script itself into the hands of its director.
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