Дом мечты (2010)
維多利亞壹號
Шеунг всю жизнь копит на собственную квартиру. Причем, квартира ей нужна не абы какая, а в конкретном доме и с окнами на залив — о такой она мечтала с детства. Но стоят квартиры очень дорого, поэтому процесс накопления затянулся на десятилетия — а цены растут быстрее, чем Шеунг успевает копить.
В ролях
- 何超儀 — Cheng Lai Sheung
- 陳奕迅 — Siu To
- 周俊偉 — On Jai
- 曾国祥 — Cheung Jai
- 麥浚龍 — Cop Fat
- 駱應鈞 — Cop Man
- Сюй Шао Цян — Sheung's Father
- 鮑起靜 — Sheung's Mother
- 盧海鵬 — Sheung's Grandpa
- Vivian Leung Chi-Ching — Young Sheung
- 叶璇 — Flat 8A Female Owner
- 單立文 — Flat 8A Male Owner
Интересные факты
- Сборы: 378,7 тыс. $
- Места съёмок: Гонконг
- Наград: 1 · Номинаций: 0. В том числе: Приз кинофестиваля в Сиджесе за лучшую женскую роль
Dream Home is a 2010 Hong Kong slasher film directed and co-written by Pang Ho-cheung. The film is the story of Cheng Lai-sheung who saves up money to buy her dream home. After the sellers decide to turn her down, she goes into a murderous frenzy.
Production
Dream Home was the first feature production from Josie Ho's film financing and production studio 852 Films. Josie did research and found that horror films were the best selling genre for films, which led to the idea of producing one. She was also influenced by the Hong Kong action film Riki-Oh: The Story of Ricky.
Director and writer Pang Ho-cheung worked on the script in 2007. Pang stated that he wanted to write a film about the average Hong Kong citizen facing the local inflated property market. Pang searched Hong Kong to make sure that no property name matched the one in his film, stating that "otherwise, we'd be in real trouble." He chose to make the story a slasher film, saying that he had always loved Hollywood B movies.
Dream Home finished filming around May 2009. It was originally set to be released in October 2009 in Hong Kong. The film was delayed due to legal disputes between the company and director Pang Ho-cheung. Despite the dispute, Pang continued to work on post-production on the film stating that he had not "received any message telling me to stop working on it." Josie Ho stated that she pushed Pang to make the film more violent and outrageous, while P…
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