사생활 (1979)
The Bitch
런던에서 디스코텍을 경영하는 폰테인(Fontaine Khaled: 조안 콜린스 분)은 공항에서 보석 밀수를 하는 니코(Nico Cantafora: 마이클 코비 분)를 만난다. 니코는 몰래 폰테인의 모피코트 속에 보석을 감춰 세관을 통과하지만 아무것도 모르는 폰테인은 그냥 떠나버린다. 조직의 위협에 니코는 폰테인을 만나 정사를 나누고 보석반지를 찾아오지만 애초 그 보석은 가짜였다. 결국 조직은 니코와 폰테인을 의심하게 되고 궁지에 몰린 니코를 폰테인은 사랑하게 된다. 폰테인과 함께 향락적이고 퇴폐적인 파티에 참석한 니코는 다른 여자와 정사를 나누게 되고 그것을 폰테인은 조직에 밀고한다. 결국 니코는 조직에 의해 제거되고 폰테인의 디스코텍도 보스의 수중으로 들어가는데.
- 개봉일
- 1979-09-20
- TMDB
- 4.3 / 10 (29)
- 상영 시간(분)
- 1시간 29분
- 장르
- 드라마, 로맨스
- 감독
- Gerry O'Hara
- 시리즈
- Fontaine Khaled Collection
출연진
- 조앤 콜린스 — Fontaine Khaled
- Antonio Cantafora — Nico Cantafora (as Michael Coby)
- Ian Hendry — Thrush Feather
- Kenneth Haigh — Arnold Rinstead
- Sue Lloyd — Vanessa Grant
- Mark Burns — Leonard Grant
- 존 라젠버그 — Hal Leonard
- Peter Wight — Ricky
- Pamela Salem — Lynn
- Carolyn Seymour — Polly Logan
- Doug Fisher — Sammy
- Chris Jagger — Terry Langham
흥미로운 사실
- 원작: The Bitch
The Bitch is a 1979 British drama film directed by Gerry O'Hara. It is a sequel to The Stud (1978) and, like its predecessor, is based on a novel by the British author Jackie Collins and stars her sister Joan Collins as Fontaine Khaled. Both films were made for a relatively small sum but were highly profitable at the box office, and were among the first successes in the emerging home video market of the early 1980s.
Production notes
Jackie Collins had apparently given her sister Joan the film rights to both The Stud and The Bitch for free so that they could be turned into movies. After funding was secured, the films were co-produced by the sisters' husbands at the time (Oscar Lerman, who was married to Jackie, and Ron Kass, who was married to Joan).
Although The Stud novel was made into a film nine years after its 1969 publication, The Bitch novel was published in the same year the film was released.
The film differs from Collins' novel in some ways, and omits an entire subplot with additional characters in Las Vegas where Nico first runs foul of the Mafia. In the novel, Nico is Greek rather than Italian, his surname is Constantine, not Cantafora, and his entire life history is detailed. The novel also depicts Fontaine's life in New York in some detail, whereas the film starts just as she's leaving New York.
Gerry O'Hara was hired as director on the condition the budget did not exceed that of The Stud.
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