しあわせの雨傘 (2010)
Potiche
スザンヌ(カトリーヌ・ドヌーヴ)は毎朝のジョギングが日課の幸せなブルジョワ妻だったが、ある日、雨傘工場を運営する夫ロバート(ファブリス・ルキーニ)が心臓発作で倒れ、雨傘工場を切り盛りすることに。亭主関白の夫の下で押し黙る日々を送っていた彼女だったが、子ども、昔の恋人、工場の従業員たちの協力を得て予想外の本能が目覚めていく。
キャスト
- カトリーヌ・ドヌーヴ — Suzanne Pujol
- ジェラール・ドパルデュー — Maurice Babin
- Fabrice Luchini — Robert Pujol
- カリン・ヴィアール — Nadège
- Jérémie Renier — Laurent Pujol
- ジュディット・ゴドレーシュ — Joëlle
- Élodie Frégé — Suzanne Pujol (jeune)
- セルジ・ロペス — Le chauffeur du camion
- Bruno Lochet — Le délégué CGT
- Évelyne Dandry — La soeur de Suzanne Pujol
- Gautier About — Maurice Babin (Jeune)
- Jean-Baptiste Shelmerdine — Robert Pujol (jeune)
豆知識
- 撮影地:ベルギー
- 受賞:0 · ノミネート:2
Potiche is a 2010 comedy film written and directed by François Ozon, based on the play of the same name by Pierre Barillet and Jean-Pierre Gredy. It stars Catherine Deneuve, Gérard Depardieu, Fabrice Luchini, Karin Viard, Judith Godrèche and Jérémie Renier. Set in 1977, the film tells the story of a submissive wife who gets to run her husband's umbrella factory, after the employees rebel against their tyrannical manager. In French, a potiche is a decorative vase, but by extension means "window dressing" or, roughly, "trophy wife". The film competed at the 67th Venice International Film Festival and received two Magritte Award nominations, winning Best Supporting Actor for Jérémie Renier.
Production
François Ozon saw the play Potiche by Pierre Barillet and Jean-Pierre Grédy about ten years before he made the film. According to Ozon, the genesis of the film version was, partly, that he had been approached by the producers Éric and Nicolas Altmayer and asked to make a biographical film about Nicolas Sarkozy, and, partly, his experiences from the 2007 presidential campaign, where he followed the Socialist Party's candidate Ségolène Royal.
The project was led by Mandarin Cinéma, with co-production support from Production Services Belgium. Principal photography took place in Belgium from 26 October 2009 and lasted eight weeks. The film was deliberately given a theatrical look in order to create distance and give the audience a constant awareness of watching a work of fiction. An important influence for the visual style was the cinema of Jacques Demy.
Wikipediaで続きを読む · テキストはWikipedia、CC BY-SA 4.0。データはWikidata。
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