怒りのチェイサー (2018)
22 Chaser
“事故現場ビジネス”というリアルな裏社会を描き、善良な男が堕ちていく苦悩と葛藤を描く異色サスペンス。夜のトロントを疾走するチェイス&クラッシュシーンも必見。 トラック運転手として真面目に働くベン。だが妻は生活苦にあえぎ、息子は学費も払えない。彼が働く業界――事故現場にいち早く駆けつけて金を稼ぐ“チェイサー”――には、法を無視してでも金を得ようとする悪徳業者たちがはびこっていた。「正直者はバカを見る」ベンはやがて、自分の正義を捨ててでも金を手に入れる道を選ぶ――。
- 公開日
- 2018-07-06
- TMDB
- 6.9 / 10 (27)
- 上映時間(分)
- 1時間35分
- ジャンル
- 犯罪, ドラマ, アクション, スリラー
- 監督
- Rafal Sokolowski
キャスト
- Brian J. Smith — Ben
- Raoul Max Trujillo — Wayne
- Kaniehtiio Horn — Avery
- アーロン・アシュモア — Sean
- Thom Allison — Teeny
- Rob Archer — Musclehead
- Shaun Benson — Elvis
- Sharon Canovas — Small Woman
- Lisa Codrington — Connie
- John Corbett — Dapper Suit Man
- Wole Daramola — Kaleb
- Aidan Devine — Ray
豆知識
22-Chaser is a 2018 Canadian thriller drama film directed by Rafal Sokolowski, written by Jeremy Boxen, and starring Brian J. Smith, Raoul Trujillo, Aaron Ashmore, Kaniehtiio Horn, and John Kapelos. The story centers on a tow truck driver who has to decide whether to abandon his moral code in order to provide for his family. Produced by Don Carmody, Daniel Beckerman, and Aeschylus Poulos, it was released on July 6, 2018, in Canada.
Production
22 Chaser is the directorial debut feature film of Rafal Sokolowski, a film and theatre director and assistant professor of film at Ohio University. It was developed, financed and produced through the Canadian Film Centre's CFC Features program.
The central theme of the story is the crisis of masculinity in the modern world. This is conveyed through the contrast and tensions between the main character's two lives - the dangerous and brutal work of chasing accidents and his private family life at home.
To research the story, Sokolowski took several nights accompanying various tow truck "chasers" in their work. He commented on his experiences: " ... I was intimidated to arrive at the scene of an accident where real tears, real stress, real tragedy unfolds, and these truck drivers dive in - and some of them are amazing heroes and some of them find a way to squeeze a buck out of human tragedy. ...
Production began in 2015 and was centred in Toronto, Canada. Some of the challenges were the use of sophisticated technology, a large cast, many road scenes filmed at night with multiple cameras, a fleet of 39 vehicles and complex stunt scenes. Sokolowski shared credit for meeting these challenges with the pre-filming work of the creative producers, director of photography and his team, and the departmental heads.
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