Rendezvous (1935)
A decoding expert tangles with enemy spies.
- 公開日
- 1935-10-25
- TMDB
- 5.0 / 10 (13)
- 上映時間(分)
- 1時間34分
- ジャンル
- コメディ, 戦争
- 監督
- William K. Howard
キャスト
- ウィリアム・パウエル — Lt. William 'Bill' Gordon / Anson Meridan
- ロザリンド・ラッセル — Joel Carter
- Binnie Barnes — Olivia Karloff
- Lionel Atwill — Maj. William Brennan
- シーザー・ロメロ — Capt. Nicholas 'Nikki' Nieterstein
- Samuel S. Hinds — John Carter, Assistant Secretary of War
- Henry Stephenson — Russian Ambassador Gregory
- Frank Reicher — Dr. R.A. Jackson
- Charley Grapewin — Prof. Martin
- Leonard Mudie — Roberts
- Howard Hickman — G-Man
- Charles Trowbridge — Secretary of War Baker
豆知識
Rendezvous is a 1935 American spy film set in World War I, directed by William K. Howard, starring William Powell and Rosalind Russell and featuring Binnie Barnes, Lionel Atwill, Cesar Romero and Samuel S. Hinds. Powell plays an American cryptologist who tangles with German spies while falling in love.
Production
Rendezvous was originally intended as a comedy-mystery vehicle for frequent costars Powell and Myrna Loy, but Loy was "on strike" at the time, in order to get better pay from MGM. Rosalind Russell was still fairly new to Hollywood, having been at MGM for barely a year when she was cast to replace Loy. Russell recalled: I felt self-conscious.
The picture had several working titles including Blonde Countess, White Bird, and Puzzle Man. It was shot in five weeks from June 24 to July 29, 1935, although production was suspended for a time due to an attack of appendicitis suffered by Binnie Barnes.
When it was reported in the press that the studio was going to scrap the picture and rewrite and reshoot it, director William K. Howard responded that, in fact, they were only concerned about the ending of the film, which had been unsatisfactory from the beginning. The studio wanted to see what the audience response was in previews to guide it in crafting a new ending.
As a result of the rewrites, 17 new sets were built to shoot the new ending, which took place from September 6 to 26, with Wood directing and Howe behind the camera. The film as released, at 94 minutes, was 12 minutes shorter than the preview version, which ran 106 minutes.
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