Ill Met by Moonlight (1957)
Led by British officers, partisans on Crete plan to kidnap the island's German commander and smuggle him to Cairo to embarrass the occupiers.
- Erscheinungsdatum
- 1957-01-31
- TMDB
- 6.2 / 10 (46)
- Laufzeit
- 1 Std. 44 Min.
- Genres
- Kriegsfilm, Abenteuer
- Regie
- Michael Powell, Emeric Pressburger
Besetzung
- Dirk Bogarde — Maj. Patrick Leigh Fermor aka "Philedem"
- David Oxley — Capt. William Stanley "Bill" Moss
- Marius Goring — Major General Kreipe
- Dimitri Andreas — Niko Soldan Emeris
- Cyril Cusack — Captain Sandy Rendel
- Laurence Payne — Manoli
- Wolfe Morris — George
- Michael Gough — Andoni Zoidakis
- John Cairney — Elias
- Brian Worth
- Roland Bartrop — Miki
- George Eugeniou
Wissenswertes
- Basiert auf: Ill Met by Moonlight
Ill Met by Moonlight (1957), released in the US as Night Ambush, is a film by the British writer-director-producer team of Michael Powell and Emeric Pressburger, and the last movie they made together through their production company "The Archers". The film, which stars Dirk Bogarde and features Marius Goring, David Oxley, and Cyril Cusack, is based on the 1950 book Ill Met by Moonlight: The Abduction of General Kreipe by W. Stanley Moss, which is an account of events during the author's service on Crete during World War II as an agent of the Special Operations Executive (SOE).
Production
Emeric Pressburger had read and bought the rights to W. Stanley Moss's book in 1950, but production would not begin for another six years. Following the success of The Battle of the River Plate (1956, American title: Pursuit of the Graf Spee), The Archers agreed to a one-film contract with the Rank Organisation, but disagreements between Powell and Pressburger over that contract and aspects of the film production contributed to the final breakup…
In Million Dollar Movie (1992), the second volume of Michael Powell's memoirs, he describes Ill Met by Moonlight as one of The Archers' "greatest failures," despite the film's financial success. Part of his unhappiness is attributed to Pressburger's screenplay, but he also describes conflicts with Rank's studio bosses over casting, film format, and locations.
Although Powell was especially unhappy with Bogarde's performance, Patrick Leigh Fermor expressed great satisfaction with Bogarde's representation of him.
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