La delicia de los idiotas (1939)

Curiosidades

Idiot's Delight is a 1939 American MGM comedy drama with a screenplay adapted by Robert E. Sherwood from his 1936 Pulitzer-Prize-winning play of the same name. The production reunited director Clarence Brown, Clark Gable and Norma Shearer eight years after they worked together on A Free Soul. The play takes place in a hotel in the Italian Alps during 24 hours at the beginning of a world war. The film begins with the backstory of the two leads and transfers the later action to a fictitious Alpine country rather than Italy, which was the setting for the play. In fact, Europe was on the brink of World War II.

Production

In an effort to make the play, staged entirely in the hotel lounge, less wordy and more attractive to watch on the screen, Sherwood wrote the script for MGM with 167 scenes on 42 sets. The Internet Movie Database says that Vicki Baum, most famous for Grand Hotel, did uncredited work on the screenplay.

When Warner Bros. considered filming Sherwood's play, film censor Joseph Breen predicted it "would be banned widely abroad and might cause reprisals against the American company distributing it. The play is fundamentally anti-war propaganda, and contains numerous diatribes against militarism, fascism, and the munitions ring." MGM tried to address similar concerns, eventually hiring Italy's consul in Los Angeles as adviser.

“Idiot's delight" refers to one of several games of solitaire or patience. In the play, Irene berates armaments manufacturer Weber (whose mistress she is) for his contribution to the war. He replies: “I am but the humble instrument of His divine will.” Her answer: “We don't do half enough justice to Him. Poor, lonely old soul. Sitting up in heaven, with nothing to do, but play solitaire. Poor, dear God. Playing idiot's delight.”.

TCM.com observes: “This was the only film in which Clark Gable performed a dance number. He spent 6 weeks rehearsing the steps with the dance director George King, and practicing at home with his wife, Carole Lombard. Because of his fear of messing it up during a take, the set was closed during the filming of this sequence.

Norma Shearer's distinctive pageboy hairstyle was copied from the hairstyle worn by Lynn Fontanne when she originated the character in the Broadway production of the stage play.

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