Die Liebe auf Hawaii (1939)
Honolulu
Der Schauspieler Brooks Mason findet einen Farmer auf Hawai, der ihm zum Verwechseln ähnlich sieht und er tauscht für kurze Zeit, um seinen hartnäckigen Fans zu entkommen, mit ihm seine Identität. Auf den Weg nach Hawai verliebt er sich in eine Tänzerin. Doch da gibts es auch noch die Braut seines Doppelgängers …
- Erscheinungsdatum
- 1939-02-03
- TMDB
- 6.5 / 10 (8)
- Laufzeit
- 1 Std. 24 Min.
- Genres
- Komödie, Liebesfilm, Musik
- Regie
- Edward Buzzell
Besetzung
- Eleanor Powell — Miss Dorothy 'Dot' March
- Robert Young — Brooks Mason / George Smith
- George Burns — Joe Duffy
- Gracie Allen — Millicent 'Millie' De Grasse
- Rita Johnson — Cecelia Grayson
- Clarence Kolb — Mr. Horace Grayson
- Jo Ann Sayers — Nurse
- Ann Morriss — Gale Brewster
- Willie Fung — Wong
- Cliff Clark — First Detective
- Edward Gargan — Second Detective
- Eddie 'Rochester' Anderson — Washington
Wissenswertes
Honolulu is a 1939 American musical comedy film directed by Edward Buzzell and starring Eleanor Powell, Robert Young, George Burns and Gracie Allen. The picture was produced by Metro-Goldwyn-Mayer. Also appearing in the film are Rita Johnson, Eddie "Rochester" Anderson, Sig Rumann and Ruth Hussey.
Production
Eleanor Powell's dance routines were given a mostly Hawaiian flavor. One of her routines was performed in blackface in tribute to Powell's idol, Bill 'Bojangles' Robinson. The comedy of Burns and Allen is also featured, although the two actors work separately for much of the movie, their characters only meeting in the final minutes. Powell and Gracie Allen sing and dance together in a sequence featuring the titular song.
There is a musical sequence featuring Gracie Allen, accompanied by musicians made to look like the Marx Brothers (including two Grouchos), while several actors in the audience are costumed to look like such famous actors as Clark Gable, W.C. Fields and Oliver Hardy.
Footage of one of Powell's dance routines (done in a hula skirt to a tiki drum orchestra) would be reused in the later comedy, I Dood It, while another dance performance that was cut from the film appeared seven years later in the "hodge-podge" production The Great Morgan.
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