Moi, un noir (1959)
Winner of the prestigious Prix Louis Delluc in 1958, "Moi, un noir" marked Jean Rouch's break with traditional ethnography, and his embrace of the collaborative and improvisatory strategies he called "shared ethnography" and "ethnofiction". The film depicts an ordinary week in the lives of men and women from Niger who have migrated to Abidjan, Côte d'Ivoire for work.
- Erscheinungsdatum
- 1959-03-12
- TMDB
- 7.4 / 10 (38)
- Laufzeit
- 1 Std. 10 Min.
- Genres
- Dokumentarfilm
- Regie
- Jean Rouch
Besetzung
- Oumarou Ganda — Edward G. Robinson
- Petit Touré — Eddie Constantine
- Alassane Maiga — Tarzan
- Amadou Demba — Elite
- Gambi — Dorothy Lamour
- Seydou Guede — Le facteur
- Karidyo Faoudou — Petit Jules
- Edmond Bernus — L'italien
Wissenswertes
- Auszeichnungen: 1 · Nominierungen: 0. Darunter: Louis-Delluc-Preis
Moi, un noir is a 1958 French ethnofiction film directed by Jean Rouch. The film is set in Abidjan, Ivory Coast.
Filming
The filming process for Moi, un noir was rather idiosyncratic: Jean Rouch spent nine months amongst his ethnographic subjects and allowed them to tell their own story in a very personal way, inherently challenging the rules of the field.
Jean Rouch did not go into this film with any particular idea, preferring to capture as much footage as possible in order to structure a narrative with his subjects. Many sequences in the film were captured by chance during long continuous shots.
In making the movie, Jean Rouch was surprised as to how much his subjects were willing to disclose about their life’s dreams and aspirations, finding that his nimble camera offered him a passport into freedom, allowing him to navigate circles he hadn’t dreamt of integrating. Consequently, he brought his lightweight 16mm Kodachrome camera into every social setting.
After Jean Rouch and his subjects agreed that they had captured enough footage, they recorded the dialog in a studio in the Musée de l'Homme in Paris, France which he superimposed over ambient street noise recorded around Abidjan. These asynchronous sound effects born out of practical limitations helped contribute to the "dream-like" atmosphere of many sequences in the film.
Auf Wikipedia weiterlesen · Text aus Wikipedia, CC BY-SA 4.0. Daten aus Wikidata.
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