의리 없는 전쟁: 완결편

의리 없는 전쟁: 완결편 (1974)

仁義なき戦い 完結篇

경찰의 '정상작전'으로 간부들이 대량 검거된 후, 오토모구미가 세력을 회복하면서 히로시마 야쿠자 조직은 야마모리구미, 우치모토카이, 오토모구미의 3파 대립 구도가 됐다. 하지만 그들은 경찰의 눈을 피하기 위해 야마모리 요시오를 회장으로 하는 정치결사 '텐세이카이'를 발족시켰다. 텐세이카이 2대 회장 타케다 아키라 시절, 반주류파 오토모, 하야카와 등의 반발에 부딪혔고, 이로 인해 혼란이 가중됐다. 결국 마츠무라 야스가 3대 회장에 추천되자 오토모, 하야카와 파벌이 반발하며 내분이 심화됐다. 한편 히로노부는 수감 중 과거 항쟁을 기록한 수기를 남기며, 출소 후 마츠무라를 만나 히로시마 지배권 재건을 모의했다. 이에 타케다와 마츠무라 파벌 간 충돌이 벌어지고, 히로노부구미도 텐세이카이에 가맹하며 우시마조직과 대립하게 되는 등 격렬한 내전이 전개됐다.

개봉일
1974-06-29
TMDB
7.2 / 10 (50)
상영 시간(분)
1시간 40분
장르
액션, 드라마, 범죄
감독
후카사쿠 킨지
시리즈
의리 없는 전쟁 시리즈

출연진

흥미로운 사실

Battles Without Honor and Humanity: Final Episode is a 1974 Japanese yakuza film directed by Kinji Fukasaku. It is the final film in a five-part series that Fukasaku made in a span of just two years.

Production

Battles Without Honor and Humanity: Final Episode is the only film in the pentalogy adapting Kōichi Iiboshi's articles about a yakuza war that was not written by Kazuo Kasahara. Instead the screenplay was written by Koji Takada. Kasahara was supportive of Takada, giving him all the research materials he had created for the first four films.

Kasahara suggested not to use the character played by Kinya Kitaoji because it was based on a real yakuza boss that Takada met in Hiroshima (Hisashi Yamada of the Kyosei-kai), but Takada disregarded the advice. The screenwriter said that the real yakuza saw the film and caused problems with the studio.

Like Kasahara, Takada met with Kōzō Minō, the former yakuza whose journals Iiboshi adapted, several times. The screenwriter said that Minō told him he did not like the first four films in the series and proceeded to show him a manuscript for a film he had written himself.

Wanting to change the dynamics of the relationships seen in the previous films, Takada created the characters played by Joe Shishido and Hiroki Matsukata. Finding the yakuza ritual of exchanging sake in the prior films ridiculous, he had the two exchange whiskey instead, which he called one of the best scenes in the series. He made a point to show the general unhappiness of the low-leveled members of the gang.

Ultimately, Takada thinks the script was successful and claimed that Kasahara, director Kinji Fukasaku, and producer Goro Kuasakabe all thought so as well. Although, some critics said the film talks about yakuza who make a living hiding behind legitimate businesses while actually depicting the opposite, and the writer agreed with this critique.

위키백과에서 더 읽기 · 텍스트 출처: 위키백과, CC BY-SA 4.0. 데이터 출처: Wikidata.

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