神偷双子星 (1989)
Breaking In
我记得在剧院看过这部小电影。这是一个二线剧院，这是我真正去看过的“深渊”的双重特征的第二部分。我为此坚持了下来，并没有期望太多，因为伯特雷诺兹在这一点上没有太多的职业生涯。男孩，我很惊讶！这部电影是一颗宝石。一部低调的喜剧，其中的幽默不是来自令人恶心的捧腹大笑，而是来自我们可以产生共鸣的角色。看到雷诺兹搁置他的硬汉、跨性别角色并扮演角色，表现出类似于他在《不羁之夜》中的作品的温暖和深度，真是一种享受。我承认我很喜欢“雀跃”电影，虽然这部电影符合要求，但它在那个部门并不像其他电影那样聪明，但这部电影不是关于聪明，而是关于人以及他们与每个人的关系其他，甚至在防盗领域。如果你还没有看到这个，它非常值得租用。
- 上映日期
- 1989-10-13
- TMDB
- 5.7 / 10 (33)
- 片长（分钟）
- 1小时34分钟
- 类型
- 动作, 冒险, 喜剧, 犯罪
- 导演
- Bill Forsyth
演员阵容
- 毕·雷诺斯 — Ernie Mullins
- 凯西·希玛兹科 — Mike Lafebb
- 谢拉·柯雷 — Carrie aka Fontaine
- Lorraine Toussaint — Delphine the Hooker
- 阿尔伯特·萨尔米 — Johnny Scot
- Harry Carey Jr. — Shoes
- 莫里·柴金 — Vincent Tucci
- 斯蒂芬·托布罗斯基 — District Attorney
- Julianne Johnson — Hardware Store Cashier
趣闻
- 预算：US$550万
Breaking In is a 1989 American crime comedy film directed by Bill Forsyth, written by John Sayles, and starring Burt Reynolds, Casey Siemaszko and Lorraine Toussaint. The film follows professional small-time criminals as they live and practice their trades.
Production
The film was shot in Portland, Oregon. Forsyth envisioned John Mahoney for the lead role, but Act III Productions wanted a higher profile name. Jack Nicholson and Paul Newman were each offered the role, but declined. Prompted to have a star, Reynolds was eventually asked to do the film. It was Reynolds's first character role. "I've spent an entire career... making the characters me," he said.
Reynolds worked for SAG scale because he was an admirer of the script and of Forsyth. John Sayles normally directed his own scripts, but did not do this one because he did not feel that he had the sense of humor to bring it off.
Forsyth, too, normally directed his own scripts, but took on Breaking In in an attempt to make contact with a larger mainstream audience:
I can't get away with making $6- or $7-million movies (e.g., Local Hero and Housekeeping) with the kind of audience that my past movies have reached. I've just got to find an audience-or retreat. And I'm quite happy to retreat, I'm happy to go back to Scotland and make smaller movies like Gregory's Girl. But at the same time, Breaking In seemed a comfortable experiment for me.
He later described it as "an awkward little movie. It’s not an American film and it’s not a European film; it’s ungraspable what it is."
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