Gameras Kampf gegen Frankensteins Monster

Gameras Kampf gegen Frankensteins Monster (1980)

宇宙怪獣ガメラ

... und jetzt gegen alle Ungeheuer

Als das böse Alien Zanon auf die Erde kommt um die Menschheit zu versklaven, scheint alle Hoffnung verloren. Selbst die Superhelden der Erde, die Spacewomen sind machtlos. Mit Hilfe eines kleinen Jungen nehmen sie Kontakt zu Gamera auf. Die Beschützerin der Welt und Freund aller Kinder nimmt sodann den Kampf auf und immer mehr alte Bekannte erscheinen um für Zanon gegen Gamera zu kämpfen: Gaos, Zigra, Viras, Jigger, Guiron und selbst Barugon treten an. Kann Gamera Zanon und ihre Erzfeinde besiegen um die Zerstörung der Erde zu verhindern?Mit diesem Gamera-Film von 1980 schließt sich endlich der Kreis. Dies ist der letzte Film der sogenannten Showa-Serie, wieder von Noriaki Yuasa gedreht. Erst 1995 kehrte Gamera eindrucksvoll zurück.

Erscheinungsdatum
1980-03-20
TMDB
4.9 / 10 (61)
Laufzeit
1 Std. 32 Min.
Genres
Science Fiction, Familie, Action
Regie
湯浅憲明
Filmreihe
Gamera (Showa) Filmreihe

Besetzung

Wissenswertes

Gamera: Super Monster is a 1980 Japanese kaiju film directed by Noriaki Yuasa and produced by Daiei International. It is the eighth film in the Gamera film series and its first installment by Tokuma Shoten, following the release of Gamera vs. Zigra in 1971, while it is a new story and doesn't share the lore with the previous Showa films.

Production

Gamera: Super Monster was the first post-Daiei installment of the franchise by Tokuma Shoten and was produced as an attempt to help Daiei get out of its turbulent financial situation. The Totsu ECG System was utilized for filming.

It contains extensive stock footages of the entire Showa Gamera film series, as well as Space Battleship Yamato and Galaxy Express 999, where the producer Masaya Tokuyama also participated in the promotion of Galaxy Express 999 (1979). KochiKame: Tokyo Beat Cops and Kinnikuman were also briefly featured and parodied.

Most footage of Gamera and his enemies are re-edited stock footages from previous films due to budgetary and schedule constraints and insufficient materials; this movie would have costed at least ¥1 billion if it was entirely a new production. This direction to rely on Daiei Film properties was also shaped by the success of the 1979 Ultraman video film (jp) by Akio Jissoji which contributed in the revival of the Tsuburaya Productions franchise.

Various materials were lost during the turmoil when Daiei Film was officially declared bankrupt in December 1971, where a number of suits and props and equipments were destroyed by frustrated and distressed employees, either Noriaki Yuasa himself or a riot among staffs. Newly produced tokusatsu scenes to involve Gamera were almost exclusively filmed with the props of flying Gamera, which were preserved at the Ex Productions and evaded the riot.

Tamotsu Taga, one of former Daiei Film staffs who had abandoned the near-bankrupt company for P Productions due to the aftermaths of the scrapped project Giant Horde Beast Nezura prior to Gamera, the Giant Monster (1965), participated in Gamera: Super Monster as an editor along with additional crews from P Productions such as Shigeru Shinohara and Hirochika Muraishi.

Auf Wikipedia weiterlesen · Text aus Wikipedia, CC BY-SA 4.0. Daten aus Wikidata.

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