Конец Санкт-Петербурга или Новый Икар

Конец Санкт-Петербурга или Новый Икар (1992)

1992, the time of the Perestroika. Inspired by Vsevolod Pudovkin’s “The End of St. Petersburg” (1927), the artist chooses the Greek mythological figure of Icarus as a person falling apart from the diversity of temptations and creates a romantic performance-self-portrait.

Data lansării
1992-01-01
TMDB
6.3 / 10 (3)
Durată
6 min
Genuri
Dramă
Regizor
Эдуард Шелганов

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