The Stewardesses (1969)
A single eventful night in the lives of a crew of Los Angeles-based, trans-Pacific stewardesses, as they experiment with drugs and engage in various sexual encounters. The Stewardesses is a 1969 Softcore 3-D film. Produced on a budget of just over $100,000, the film grossed over $27,000,000 (USD) in 1970 dollars, becoming the most profitable 3-D film ever released.
- Erscheinungsdatum
- 1969-07-25
- TMDB
- 4.0 / 10 (18)
- Laufzeit
- 1 Std. 9 Min.
- Genres
- Komödie
- Regie
- Al Silliman Jr.
- Filmreihe
- The Stewardesses Collection
Besetzung
- Christina Hart — Stewardess Samantha
- Ronald South — Colin Winthrop
- William Condos — Captain Brad Masters
- Anita de Moulin — Jo Peters
- Paula Erikson — Tina
- Kathy Ferrick — Cathy
- Janet Wass — Wendy
- Donna Stanley — Horney Annie
- Jerry Litvinoff — Cappy
- Patricia Fein — Karin
- Beth Shields — Cindy
- Nancy Ison
Wissenswertes
The Stewardesses is a 1969 American 3D softcore comedy film written and directed by Allan Silliphant and starring Christina Hart, Monica Gayle, Paula Erickson and Donna Stanley.
Production and development
The film was initially a 35mm 3D softcore "skin-flick" with minimal production values and a very basic plot. Since it was grossing extremely well in specialty "adult theaters," in 1971 Silliphant and executive producer Louis Sher decided to repackage their film into a regular R-rated, general release 3D feature film, with a more complex, conventional storyline with reduced nudity and simulated sex activity.
The self-imposed X rating was a draw in the early stages, attracting viewers to relatively small theaters showing the 3D film. In the last year, with the official R rating, it was possible to show the film more widely, even in 70mm 3D, in houses like the 4,300-seat Boston Music Hall. The film ran for three years and was presented in just over 800 theaters. It outsold some higher budget movies in larger theaters.
The film is also notable in that it may be the only film to be extensively re-shot, edited and updated as it played in theaters, according to Silliphant. Probably four versions of the evolving film were played over the three years that the film was in active distribution.
Writer, producer, director, and 3D technologist Allan Silliphant was the younger half-brother of Academy Award-winning writer and producer Stirling Silliphant. Co-producer and cinematographer Chris Condon, who had founded Century Precision Optics, built innovative, relatively lightweight and portable single-strip 3D cameras.
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