哈姆雷特 (1964)
Гамлет
哈姆雷特（因诺肯季·斯莫克图诺夫斯基 Innokenti Smoktunovsky 饰）是丹麦的王子，某日，在国外游学的他收到了父亲（米哈伊尔·纳兹瓦诺夫 Mikhail Nazvanov 饰）的死讯，而他的母亲（Elze Radzinya 饰）即将嫁给他的叔叔克劳迪思。家中发生的巨变让哈姆雷特感到非常的绝望，一天晚上，父亲的鬼魂显灵了，他告诉儿子，自己其实是被克劳迪思害死的，他希望儿子能够帮助自己复仇，夺回王位。 为了消除叔叔对自己的怀疑，哈姆雷特开始了装疯卖傻的生活，并结识了名为奥菲利亚（安娜斯塔西亚·维尔金斯卡娅 Anastasiya Vertinskaya 饰）的女子，天真善良的奥菲利亚安抚了哈姆雷特受伤的内心。最终，哈姆雷特通过种种计谋令叔叔原形毕露，同时他也失去了最珍贵的东西。
- 上映日期
- 1964-06-24
- TMDB
- 7.2 / 10 (58)
- 片长（分钟）
- 2小时20分钟
- 类型
- 剧情
- 导演
- Григорий Козинцев
演员阵容
- Иннокентий Смоктуновский — Hamlet
- Анастасия Вертинская — Ophelia
- 哈伊尔·米哈伊洛维奇·纳兹瓦诺夫 — Claudius
- Elza Radziņa — Gertrude
- Юрий Толубеев — Polonius
- Игорь Дмитриев — Rosencrantz
- Вадим Медведев — Guildenstern
- Владимир Эренберг — Horatio
- Степан Олексенко — Laertes
- Григорий Гай — Ghost of Hamlet's Father
- Ants Lauter — Priest
- Виктор Колпаков — Gravedigger
趣闻
- 改编自：哈姆雷特
- 获奖：1 · 提名：0. 包括：威尼斯影展評審團特別獎
Hamlet is a 1964 film adaptation in Russian of William Shakespeare's play of the same title, based on a translation by Boris Pasternak. It was directed by Grigori Kozintsev and Iosif Shapiro, and stars Innokenty Smoktunovsky as Prince Hamlet.
Production
Grigori Kozintsev had been a founder member of the Russian avant-garde artist group the Factory of the Eccentric Actor (FEKS), whose ideas were closely related to Dadaism and Futurism. In 1923 he had been planning to perform Hamlet as a pantomime in the experimental manner of FEKS, but the plan was not put into effect, and Kozintsev's energies shifted into the cinema.
Kozintsev also wrote extensively about Shakespeare and a major chapter in his book Shakespeare: Time and Conscience is devoted to his thoughts on Hamlet together with a historical survey of earlier interpretations. In an appendix entitled "Ten Years with Hamlet", he includes extracts from his diaries dealing with his experiences of the 1954 stage production and his 1964 film.
Although shot in black-and-white, this was the first film version of the play in a widescreen format (Sovscope, an anamorphic system similar to CinemaScope) and stereophonic sound (4-track stereo). The camera is continually mobile and extended shots (average length 24 seconds) enable the physical exploration of the spaces of the court and castle. Of the castle itself, Kozintsev said: "The general view of the castle must not be filmed.
Much of the film takes place out of doors. Apart from the backdrop of the castle, the imagery of the film is dominated by elements of nature. Kozintsev saw this as a vital way in which he could give visual form to the text: "Strangely enough they have always sought to film Hamlet in studios, but it seems to me that the key to reincarnating Shakespeare's words in visual imagery can only be found in nature".
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