女政委 (1967)
Комиссар
十月革命后的内战期间，一名红军政委因怀孕而被迫无奈离开部队，留在乌克兰南部的一个村庄。她被一个贫穷的犹太手工业者家庭收留。但很快，私人战线被攻破，这位坚强的士兵变成了一位富有同情心的女性，并逐渐适应了母亲的新角色。当她的部队最终被迫撤退时，这位年轻的母亲放弃了私人幸福，转而为国效力。她的孩子留在了外国家庭。
- 上映日期
- 1967-06-06
- TMDB
- 6.5 / 10 (43)
- 片长（分钟）
- 1小时50分钟
- 类型
- 剧情, 战争
- 导演
- Александр Аскольдов
演员阵容
- Нонна Мордюкова — Klavdia Vavilova
- Ролан Быков — Yefim Mahazannik
- Раїса Недашківська — Maria Mahazannik
- 瓦西里·舒克申 — The Commandant
- Людмила Волынская — The Grandmother
- Сергей Никоненко
- ოთარ კობერიძე
- Леонид Реутов
- Viktor Shakhov
- Валерий Рыжаков
- Семён Морозов
- Виктор Ильичёв
趣闻
- 获奖：1 · 提名：1. 包括：評審團大獎銀熊獎
Commissar is a 1967 Soviet film directed by Aleksandr Askoldov. The film stars Nonna Mordyukova as Klavdiya Vavilova, a commissar in the Russian Civil War, who falls pregnant and is made to live with the family of a poor Jewish blacksmith.
Production
Askoldov had previously been a student of philology at the Moscow State University and then a bureaucrat at the Ministry of Culture. In 1964, Askoldov left his position at the Ministry of Culture and enrolled in a two-year programme for directors and screenwriters. Commissar was his debut feature.
Askoldov submitted the screenplay for the film to Gorky Studio in 1965 and pitched the film as a celebration of the 50th anniversary of the Russian Revolution. The screenplay was approved and passed on to Goskino officials, who demanded revisions. Askoldov revised the screenplay in July 1966.
The then-head of Goskino, Aleksei V. Romanov, privately informed Askoldov that the film could be released if the characters' nationality was changed and the Holocaust sequence removed from the film; Askoldov refused to do so. Romanov also requested changes to Vavilova's characterization; although Askoldov promised to enact the changes, he did not do so.
Filming took place in 1966. Although the story is set in Berdychev, Askoldov chose to shoot the film in Kamianets-Podilskyi, with a few scenes shot in Tsuriupynsk. Askoldov struggled to find Jews willing to participate in the film — the Jews in Kamianets-Podilskyi refused to participate in the shooting of the film, so he searched in the city of Khotyn for Jews who were willing to shoot scenes.
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