The Black Tent (1956)
During the British retreat through Libya, a British officer takes shelter with a group of Arab Bedouin. He marries the chief's daughter. Sometime later, his younger brother, who had believed him to be dead, is informed that he may be alive in Libya - prompting him to set out and search for him.
- Erscheinungsdatum
- 1956-04-09
- TMDB
- 6.4 / 10 (8)
- Laufzeit
- 1 Std. 33 Min.
- Genres
- Liebesfilm, Drama, Action
- Regie
- Brian Desmond Hurst
Besetzung
- Donald Sinden — Col. Sir Charles Holland
- Anthony Steel — Capt. David Holland
- Anna Maria Sandri — Mabrouka ben Yussef
- André Morell — Sheik Salem ben Yussef
- Donald Pleasence — Ali
- Ralph Truman — Major Cross
- Terence Sharkey — Daoud Holland
- Anton Diffring — Senior German Officer
- Anthony Bushell — Ambassador Baring
- Michael Craig — Sheikh Faris
- Frederick Jaeger — Koch
- Derek Sydney — Interpreter
Wissenswertes
- Gedreht in: Pinewood Studios
The Black Tent is a 1956 British war film directed by Brian Desmond Hurst and starring Donald Sinden, Anthony Steel, Anna Maria Sandri, André Morell and Donald Pleasence. It is set in North Africa, during the Second World War and was filmed on location in Libya.
Production
Producer Walter MacQuitty was an enthusiast of location filming – his most recent pictures included The Beachcomber. The film was shot at Pinewood Studios and on location in Libya. The film unit was mostly based in Tripoli arriving in August 1955. The lead actress was Italian, appearing in her first English language film.
Star Donald Sinden had previously made Above Us the Waves with producer MacQuitty and Simba with director Brian Michael Hurst. It was an early film role for Michael Craig, who had recently signed to the Rank Organisation; it was the first time he made a movie on location.
The film used the site of the Roman ruins at Sabratha in Libya, which is by the sea, although the plot suggests that the camp is deep in the Libyan desert. This is a plot device to provide a bit of eye candy to the viewer and a reason for the Germans to visit in small numbers, like regular tourists.
Macquitty later wrote Hurst "was meticulous in getting his way as a director and possessed an astounding ability to lay bare the psyche of anyone who opposed him. Generously he gave me a piece of his share in the picture – surely a unique gesture by a director to a producer."
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