蒲田前奏曲

蒲田前奏曲 (2020)

4人の若手監督が連作した長編作品。本作の企画、プロデュースを務めた松林うらら演じる売れない女優・蒲田マチ子の視点を通して、女性が人格をうまく使い分けることを求められる社会への皮肉を、彼女の周りの人々との関わりを交えながらコミカルに描いていく。仲の良い弟から紹介された彼女の存在から、マチ子が自身の在り方を振り返ることとなる「蒲田哀歌」（監督：中川龍太郎）、マチ子と大学時代の友人たちが、仕事や男性のことなどを話し合う中で、それぞれが隠していたものをさらけ出していく「呑川ラプソディ」（監督：穐山茉由）のほか、「行き止まりの人々」（監督：安川有果）、「シーカランスどこへ行く」（監督：渡辺紘文）の4編で構成。

公開日
2020-09-25
TMDB
8.0 / 10 (1)
上映時間（分）
1時間55分
ジャンル
ドラマ
監督
穐山茉由, 渡辺紘文, 中川龍太郎, 安川有果

キャスト

豆知識

Kamata Prelude is a 2020 Japanese anthology film starring Urara Matsubayashi, Sairi Ito, Kumi Takeuchi, Mayuko Fukuda and Kotone Furakawa. It is composed of four segments written and directed by Ryutaro Nakagawa, Mayu Akiyama, Yuka Yasukawa and Hirobumi Watanabe, three of which feature Machiko, an actress.

Production

Actress Urara Matsubayashi decided to produce a film on her own based on her own experiences as a woman in the Japanese film industry after consulting Kosuke Ono, her co-producer for the anthology film 21st Century Girl who would go on to serve as an executive producer for the project. She was also inspired by actress Kiki Sugino, who had also begun to produce and direct her own films.

Matsubayashi conceptualised the film as an episodic drama with each segment connected through the character Machiko Kamata, an actress from Ōtawara, who was to be portrayed by Matsubayashi herself. This was inspired by the film Gusto Kita with All My Hypothalamus, a four-part anthology film with each segment revolving around one of four men who are "obsessed" with the same woman.

All four segments were shot independently, and the first three were filmed in the Summer of 2019. Akiyama's segment, "Nomikawa Rhapsody", was shot first. She wrote a screenplay revolving around a girls' night out between a group of friends and former classmates, with each individual keeping secrets from the others. Though Machiko is in the group, the main characters are instead Hona and Mari.

Yasukawa's segment, "Dead End People", was shot second. Matsubayashi had asked her to focus on the MeToo movement as the central theme. In planning the segment, Mastubayashi shared her own experiences as a survivor of sexual abuse in the film industry with Yasukawa, particularly on how those around her looked the other way when she was harassed by a producer, and on how perpertrators would claim in public that they were against sexual harassment.…

Nakagawa's segment, "Kamata Lament", was shot third. Matsubayashi asked him to have the segment depicting the romance of Machiko's younger brother, Taizo. Nakagawa chose to introduce the theme of war and its impact in addition to the central theme. The segment revolves around Machiko and Setsuko, Taizo's girlfriend, who spends time and bonds with Machiko.

Wikipediaで続きを読む · テキストはWikipedia、CC BY-SA 4.0。データはWikidata。

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