Love Letters

Love Letters (1983)

Die 22-jährige Rundfunkmoderatorin Anna verliebt sich in den 40-jährigen verheirateten Fotografen Oliver. Sie liebt ihn bis zur Selbstaufgabe, für ihn ist das Ganze jedoch nichts weiter als eine Bettgeschichte. Anna durchlebt diese Affäre mit der gleichen Intensität wie seinerzeit ihre Mutter, in deren Nachlass sie die Liebesbriefe eines Unbekannten findet. Diese Briefe und ihre eigenen Erfahrungen lassen Anna an die ganz große Liebe glauben. Als sie jedoch erkennen muss, dass Oliver dazu nicht bereit ist, entlädt sich ihre Enttäuschung in selbstzerstörerischem Hass...

Erscheinungsdatum
1983-04-01
TMDB
5.6 / 10 (28)
Laufzeit
1 Std. 28 Min.
Genres
Drama, Liebesfilm
Regie
Amy Holden Jones

Besetzung

Wissenswertes

Love Letters is a 1983 American romantic drama film starring Jamie Lee Curtis and James Keach. The film is written and directed by Amy Holden Jones, whom Roger Corman agreed to finance following her success with The Slumber Party Massacre (1982).

Production

Amy Holden Jones had just made her feature film debut as director with Slumber Party Massacre and wanted to follow it up with something non-horror. She and her husband had written love letters to each other several years previously when living on different coasts; she rediscovered them and wondered what would happen if their daughter came across the love letters.

I put that together with the love letters and thought it would be interesting if someone came upon the love letters and realized that their parents had had an extramarital affair, if the love letters were not in fact between her mother and father, as ours were, but between the mother and a lover.

Jones said she was inspired to do flashbacks by the screenplays of Harold Pinter.

Her first choice for the lead was Meg Tilly but her agent was demanding more money than Corman was willing to pay. Jamie Lee Curtis agreed to play the role for only $25,000 despite several nude scenes as it gave her a chance to break away from the horror films she had been mostly making up until that stage of her career. Curtis said she "had to fight to get" the role. "They didn't think I could pull off a sweet young thing...

The film was financed by Roger Corman who insisted on the inclusion of some nudity. Jones:

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