El salón de música (1958)
জলসাঘর
Principios del siglo XX. En un palacio de Bengala, un terrateniente, al oír la música de la fiesta que celebra su arrogante vecino con motivo de la iniciación de su hijo, recuerda el gran recital que organizó con motivo de la de su propio hijo, así como los importantes acontecimientos que sucedieron después en su vida.
- Fecha de estreno
- 1958-10-10
- TMDB
- 7.5 / 10 (169)
- Duración
- 1 h 40 min
- Géneros
- Drama, Música
- Director
- Satyajit Ray
Reparto
- Chhabi Biswas — Biswambhar Roy
- Gangapada Basu — Mahim Ganguli
- Kali Sarkar — Anantha
- Tulsi Lahiri — Prashanna
- Padmadevi — Mahamaya Roy
- Pinaki Sengupta — Khoka Roy
- Begum Akhtar — Durga Bai
- Waheed Khan — Ustad Ujir Khan
- Roshan Kumari — Krishna Bai
- Sardar Akhtar — Singer
- Bismillah Khan — Musician
- Dakshinamohan Thakur — Musician
Curiosidades
- Premios: 2 · Nominaciones: 0. Incluyendo: National Film Award for Second Best Feature Film; National Film Award for Best Bengali Feature Film
Jalsaghar is a 1958 Indian Bengali drama film written and directed by Satyajit Ray, based on a popular short story by Bengali writer Tarasankar Bandyopadhyay, and starring Chhabi Biswas. The fourth of Ray's feature films, it was filmed at Nimtita Raajbari in Nimtita, Murshidabad district.
Production
Jalsaghar was based on a popular short story written by Bengali writer Tarasankar Bandyopadhyay. After the box office failure of Aparajito (1956), Ray desperately needed a hit, and he decided to make a film that both was based on a popular piece of literature and would incorporate Indian music. It was his first film to extensively incorporate classical Indian music and dancing. Production on the film began in May 1957.
While in pre-production, Ray and his crew had difficulty finding a suitable location for Biswambhar Roy's palace. By chance, they met a man who recommended the palace of the Choudhurys in Nimtita, known as the Nimtita Rajbari, and Ray decided to scout the location.
According to Ray, "The Nimtita palace was perfect, except that the music room–it did have one, for Ganendra Narayan's uncle Upendra Narayan Choudhury had been a patron of music much like the nobleman in our story–was not impressive enough to serve as the setting for the sumptuous soirées that I had planned." Therefore, a more lavish music room was built at the Aurora Film Corporation studio in Maniktala, Kolkata.
Ray worked closely with composer Ustad Vilayat Khan on the film, although he was initially uncertain about the composer's musical choices, and had to convince Khan to compose more sombre pieces for the film.
Leer en Wikipedia · Texto de Wikipedia, CC BY-SA 4.0. Datos de Wikidata.
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