জলসাঘর

জলসাঘর (1958)

An aging, decadent landlord’s passion for music becomes the undoing of his legacy as he sacrifices his wealth in order to compete with the opulent music room of his younger, richer neighbour.

Data lansării
1958-10-10
TMDB
7.5 / 10 (169)
Durată
1 h 40 min
Genuri
Dramă, Muzică
Regizor
Satyajit Ray

Distribuție

Curiozități

  • Premii: 2 · Nominalizări: 0. Inclusiv: National Film Award for Second Best Feature Film; National Film Award for Best Bengali Feature Film

Jalsaghar is a 1958 Indian Bengali drama film written and directed by Satyajit Ray, based on a popular short story by Bengali writer Tarasankar Bandyopadhyay, and starring Chhabi Biswas. The fourth of Ray's feature films, it was filmed at Nimtita Raajbari in Nimtita, Murshidabad district.

Production

Jalsaghar was based on a popular short story written by Bengali writer Tarasankar Bandyopadhyay. After the box office failure of Aparajito (1956), Ray desperately needed a hit, and he decided to make a film that both was based on a popular piece of literature and would incorporate Indian music. It was his first film to extensively incorporate classical Indian music and dancing. Production on the film began in May 1957.

While in pre-production, Ray and his crew had difficulty finding a suitable location for Biswambhar Roy's palace. By chance, they met a man who recommended the palace of the Choudhurys in Nimtita, known as the Nimtita Rajbari, and Ray decided to scout the location.

According to Ray, "The Nimtita palace was perfect, except that the music room–it did have one, for Ganendra Narayan's uncle Upendra Narayan Choudhury had been a patron of music much like the nobleman in our story–was not impressive enough to serve as the setting for the sumptuous soirées that I had planned." Therefore, a more lavish music room was built at the Aurora Film Corporation studio in Maniktala, Kolkata.

Ray worked closely with composer Ustad Vilayat Khan on the film, although he was initially uncertain about the composer's musical choices, and had to convince Khan to compose more sombre pieces for the film.

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