Portrait (1963)
The aesthetic moves progressively from loose “underground” means using expressionistic camera movement, multiple exposures, droning sequences and shock cut towards a static, didactic form of “documentary” marked with long takes, minimal camera movement, a surface concentration on showing how things are. Being silent they operate on sheerly visual means. From the outset they grapple with socio-political issues with the stifling atmosphere of Catholic family life in Italy
推荐
- 麦昆 2018 · ★ 7.4
- 报告 1967 · ★ 6.1
- 操 2006 · ★ 6.4
- 约翰·福特执导 1971 · ★ 7.0
- 书缘:纽约公共图书馆 2017 · ★ 6.4
- 缅甸起义:看不到的真相 2008 · ★ 7.3
- 92班 2013 · ★ 7.1
- 人生七年3 1977 · ★ 7.4
- 诱惑与遗弃 2013 · ★ 6.2
- 人生七年5 1991 · ★ 7.6
- 有毒爱情故事 2026 · ★ 6.4
- 当我往前走之时偶尔会瞥到一缕美丽之景 2000 · ★ 7.8