పెళ్లి చేసి చూడు (1952)

Curiosidades

Pelli Chesi Choodu is a 1952 Indian satirical comedy film directed by L. V. Prasad and produced by Nagi Reddi and Chakrapani under their company Vijaya Productions. The film was made simultaneously in Telugu and Tamil, the latter titled Kalyanam Panni Paar. It stars N. T. Rama Rao, G. Varalakshmi, Yandamuri Joga Rao and Savitri. S. V. Ranga Rao, Sivarama Krishnayya, Doraswamy, and Suryakantham play supporting roles in the Telugu version while C. V. V. Panthulu replaced Krishnayya in Tamil.

Production

After producing Shavukaru (1950) and Pathala Bhairavi (1951), Nagi Reddi and Chakrapani announced a film titled Pelli Chesi Choodu, which would be directed by L. V. Prasad and financed by their company Vijaya Productions. Pelli Chesi Choodu was made as a bilingual film; it was shot simultaneously in Telugu and Tamil, with the Tamil version titled Kalyanam Panni Paar, the first Tamil film directed by Prasad.

N. T. Rama Rao and G. Varalakshmi were chosen as one of the leading pairs of actors. During the songs' shoot, Ghantasala taught Rama Rao to play the harmonium and gave him a few music lessons so he would look believable in the film. Yandamuri Jogarao and Savitri, who had played minor roles in Shavukar and Pathala Bhairavi, were chosen as the other leading pair. In playing the role of the zamindar, S. V.

The child artists in the film were members of Nyapathi Raghavarao's 'Balanandam' troupe. They were trained by Gnapadi Kameswara Rao, whose nephew Gade Balakrishna "Kundu" Rao played a key role in the film's Telugu and Tamil versions. Vijaya Productions hired actors on a monthly salaried basis for this film; one of these was M. Mallikarjuna Rao, who later directed films Prameelarjuneeyam (1965), Muhurtha Balam (1969), and Gudachari 116 (1976).

Differences between Rama Rao and Varalakshmi due to the latter's tantrums, also occurred. When Varalakshmi refused to touch Rama Rao's feet in the scene in which his father drags him from the marriage hall, Prasad asked Nagi Reddy's son B. L. N. Prasad—the second assistant cameraman working under Bartley—to wear a dhoti and stand before her.

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