Stork (1971)
Stork is a gangly young man, a virgin with an overactive imagination who thinks he’s a revolutionary. Bored with a design job at General Motors Holden in Melbourne, he drops out and moves into a share house with his mate Westy. He daydreams his way through life, bungling job interviews, upsetting ‘respectable’ people, and getting drunk. The only girl in the house, Anna resists Stork’s advances, because she’s already involved with the other two resident males, Tony and Clyde. But when she becomes pregnant and Clyde and Anna decide to marry, Stork, Tony, Clyde and Westy are shocked when they realize that either one of the foursome could be the father. Then the fun begins....
- 公開日
- 1971-12-27
- TMDB
- 5.6 / 10 (9)
- 上映時間(分)
- 1時間25分
- ジャンル
- コメディ
- 監督
- Tim Burstall
キャスト
- Bruce Spence — Graham 'Stork' Wallace
- ジャッキー・ウィーヴァー — Anna
- Graeme Blundell — Westy
- Helmut Bakaitis — Clyde
- Sean Myers — Tony
- George Whaley — Businessman
- Peter Cummins — Sculptor
- Dennis Miller — University Lecturer
- Jan Friedl — Women's Libber
- Max Gillies — Uncle Jack
- Lynne Flanagan — Matron
- Alan Finney — Tailor
豆知識
- 原作:The Coming of Stork
Stork is a 1971 Australian comedy film directed by Tim Burstall. Stork is based on the play The Coming of Stork by David Williamson. Bruce Spence and Jacki Weaver make their feature film debuts in Stork, being honoured at the 1972 Australian Film Institute Awards, where they shared the acting prize. Stork won the prize for best narrative feature and Tim Burstall won for best direction. Stork was one of the first ocker comedies. It was the first commercial success of the Australian cinema revival called the Australian New Wave.
Production
The play The Coming of Stork had premiered in 1970 at La Mama Theatre, run by Betty Burstall. Her husband Tim Burstall saw the play and hired Williamson to adapt it, commenting that:
It had a kind of gaiety and brio. It was good-natured and it celebrated our own lives in a very straightforward way. It wasn't the precious or arty. It was Australian comedy of a pretty straightforward sort, but also of a pretty well-observed and accurate sort.
Most of the budget was raised privately; Burstall had obtained $7,000 from the Experimental Film and Television Fund to make a film called Filth which project manager Fred Schepisi allowed him to transfer over to Stork; $5,000 came from Bilcock and Copping, a company of Burstall's, with $21,000 from the sale of Burstall's Arthur Boyd paintings. Everyone was paid $200 a week.
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