Liefi - Ein Huhn in der Wildnis

Liefi - Ein Huhn in der Wildnis (2011)

마당을 나온 암탉

Die Henne Liefi lebt in einer Legebatterie und will nichts wie weg, einmal die Sonne sehen und auf richtigem Boden stehen. Durch eine List - sie stellt sich tot - gelingt es ihr. Doch kaum rappelt sie sich in einem Waldstück hoch, wo sie mitsamt den toten Artgenossen entsorgt wurde, wird sie von einem Wiesel angegriffen. Sie bekommt unerwartet Hilfe. Ihr Traum, ein Ei auszubrüten, geht in Erfüllung, ist es auch nur die Brut einer vom Wiesel geschnappten Wildente. Sie zieht den Jungen auf wie ihr eigenes Küken.

Erscheinungsdatum
2011-07-28
TMDB
7.8 / 10 (147)
Laufzeit
1 Std. 31 Min.
Genres
Animation, Familie, Abenteuer, Drama
Regie
Oh Sung-yoon

Besetzung

Wissenswertes

  • Basiert auf: A Hen into the Wild

Leafie, A Hen into the Wild, also called Daisy, A Hen into the Wild in English-speaking countries, is a 2011 South Korean animated adventure film based on the book of the same name. It depicts the freedom, will and instinctive motherly love of a hen as she raises an adopted duckling. The film made box office history by drawing over 2.2 million viewers, the largest audience for a home-grown animated film in South Korea. It also received widespread critical acclaim upon release.

Production

Director Oh Sung-yoon struggled for more than twenty years as an animator under adverse economic circumstances before finally debuting with this feature film. Originally titled YIPSAK - A Chicken Wild, the movie took Myung Films six years (three years for pre-production including scriptwriting, and one and a half year for storyboard) and ₩3 billion (US$2.8 million) to produce.

Shim Jae-myung (also known as Jaime Shim), the head of Myung Films, which co-produced Leafie in conjunction with the local animation studio Odolttogi, said that it was her experience with major motion pictures that made her want to produce animated films that could compete with those from Hollywood and Japan. "And as a woman and mother, the plot touched my heart," she said.

When asked what they did to distinguish their film from films by the world's major studios, director Oh said he and the crew focused on making the visual effects as beautiful as possible. "Most of my staff and I majored in painting, and we chose to make the film two-dimensional, so that the entire product looks like a beautiful picture," Oh said.

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