鸡妈鸭仔 (2011)
마당을 나온 암탉
喧嚣的农舍内,母鸡们如同机器一般按点进食、按点下蛋,没有半点自由。虽然绝大多数同伴都习惯了这种无忧无虑的囚徒生活,但是小母鸡叶芽(文素利 配音)却时刻想要逃出樊笼,自由自在孵化她的小宝宝,为此她连续三天三夜绝食,打算装死逃出鸡舍。谁知由于太过饥饿,叶芽最终昏死过去,当她 再次醒来时,发现自己已经被农夫扔到野外。梦想成真的叶芽快乐玩耍,可是农舍的同伴根本不接纳她,野外还有贪婪的黄鼠狼追杀。在冷酷的“他乡客”(崔岷植 配音)的保护下,叶芽专心孵化着一枚鸭蛋。不久,可爱的鸭宝宝诞生了…… 本片根据韩国销量突破百万册的经典童话图书《芽芽,走出院子的母鸡》(作者:黄圣美)改编
- 上映日期
- 2011-07-28
- TMDB
- 7.8 / 10 (147)
- 片长(分钟)
- 1小时34分钟
- 类型
- 动画, 家庭, 冒险, 剧情
- 导演
- Oh Sung-yoon
演员阵容
- 文素利 — Leafie (voice)
- 俞承豪 — Greenie (voice)
- 崔岷植 — Wanderer (voice)
- 朴哲民 — Mayor (voice)
- 김상현 — One-Eye (voice)
- 전숙경 — Jjaek (voice)
- 严祥铉 — Rooster (voice)
- 사성웅 — Red Head (voice)
- Kim Ji-hye — Wanderer's Mate / Yard Hen (voice)
- 서승원 — Owl / Duck Captain (voice)
- 한신정 — Young Greenie / Barnyard Duck (voice)
- 홍범기 — Bat / Kanjugi (voice)
趣闻
- 改编自:A Hen into the Wild
Leafie, A Hen into the Wild, also called Daisy, A Hen into the Wild in English-speaking countries, is a 2011 South Korean animated adventure film based on the book of the same name. It depicts the freedom, will and instinctive motherly love of a hen as she raises an adopted duckling. The film made box office history by drawing over 2.2 million viewers, the largest audience for a home-grown animated film in South Korea. It also received widespread critical acclaim upon release.
Production
Director Oh Sung-yoon struggled for more than twenty years as an animator under adverse economic circumstances before finally debuting with this feature film. Originally titled YIPSAK - A Chicken Wild, the movie took Myung Films six years (three years for pre-production including scriptwriting, and one and a half year for storyboard) and ₩3 billion (US$2.8 million) to produce.
Shim Jae-myung (also known as Jaime Shim), the head of Myung Films, which co-produced Leafie in conjunction with the local animation studio Odolttogi, said that it was her experience with major motion pictures that made her want to produce animated films that could compete with those from Hollywood and Japan. "And as a woman and mother, the plot touched my heart," she said.
When asked what they did to distinguish their film from films by the world's major studios, director Oh said he and the crew focused on making the visual effects as beautiful as possible. "Most of my staff and I majored in painting, and we chose to make the film two-dimensional, so that the entire product looks like a beautiful picture," Oh said.
在维基百科阅读更多 · 文本来自维基百科,CC BY-SA 4.0。数据来自 Wikidata。
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