儀式 (1971)
Oshima’s magisterial epic, centering on the ambivalent surviving heir of the Sakurada clan, uses ritual and the microcosm of the traditional family to trace the rise and fall of militaristic Japan across several decades.
Distribuție
- 河原崎建三 — Sakurada Masuo
- 賀来敦子 — Sakurada Ritsuko
- 中村敦夫 — Tachibana Terumichi
- 乙羽信子 — Sakurada Shizu
- 小松方正 — Sakurada Isamu
- 戸浦六宏 — Sakurada Mamoru
- 渡辺文雄 — Susumu
- 河原崎しづ江 — Sakurada Tomiko
- 原知佐子 — Isamu's flower girl
- Maki Takayama — Sakurada Kiku
- 三戸部スエ — Sakurada Chiyo
- 小沢栄太郎 — Tachibana Takeyo
Curiozități
The Ceremony is a 1971 Japanese drama film directed by Nagisa Ōshima, starring Kenzo Kawarasaki and Atsuko Kaku. The film takes place in post-war Japan, following a family clan through their wedding and funeral ceremonies, and the lengths the elder generation goes to preserve their traditions in spite of the damage it causes to the younger.
Production
The Ceremony, like many other Ōshima films, is often seen as a social critique of Japanese society. One of the most important themes in the film is that of the clan's attempt to look prosperous on the outside, while it is secretly falling apart from within.
The film also shows the lengths that the Sakurada clan goes to preserve traditions, and how they negatively affect the younger generations. This is best seen in Masuo's wedding scene, in which his bride does not appear. Rather than canceling the wedding, Kazuomi insists that the ceremony go through as planned, with Masuo facing the embarrassment of having to marry a nonexistent bride.
The incest committed within the family is also a recurring critique of Japanese society. The clan's obsession with inbreeding to keep the family line pure is a reflection of the conformity, xenophobia, and racism that pervade Japanese society.
A recurring scene in the film involves Masuo putting his ear to the ground. The first time the scene is shown, he explains that he is listening for his brother, who was buried alive in northeast China. This is repeated the night before Setsuko's death, and again at the end of the film. This gesture becomes a metaphor for the backward morality and that has crippled the humanity of the Sakurada clan.
The Ceremony has a nonlinear narrative, jumping back and forth between the present, with Masuo and Ritsuko heading out to find Terumichi, and the past, all the weddings and funerals Masuo attended through his life. Masuo often delivers voice-over narration directed to his relatives about his regrets of the past and his feelings of how they affected his life.
Citește pe Wikipedia · Text din Wikipedia, CC BY-SA 4.0. Date din Wikidata.
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