Hit Lady

Hit Lady (1974)

At a Texas barbecue, a pretty woman chats up a wealthy rancher, and soon they're off on a horseback ride. Before she shoots him on an isolated road, she gives him a minute to reflect on who he might have offended on his rise to the top. She's Angela de Vries, a contract killer based in L.A. She wants this to have been her last job; her contractor wants one more death, a national union leader, made to look like an accident. She starts her homework on this mark. Meanwhile, in her private life, she's in love with a budding photographer. Is there any way that she can get out of the game and have a full love life?

上映日期
1974-10-08
TMDB
3.7 / 10 (7)
片长（分钟）
1小时12分钟
类型
惊悚, 剧情, 电视电影
导演
Tracy Keenan Wynn

演员阵容

趣闻

Hit Lady is a 1974 made-for-TV film which aired on October 8, 1974. Starring Yvette Mimieux as artist and assassin Angela de Vries, it was written by Mimieux and directed by Tracy Keenan Wynn.

Production

Hit Lady was written by Mimieux, and directed by Tracy Keenan Wynn.

By the early 1970s Mimieux was well established as an actor but was unhappy with the roles offered to female actors. "The women they [male screenwriters] write are all one dimensional," she said. "They have no complexity in their lives. It's all surface. There's nothing to play. They're either sex objects or vanilla pudding."

Mimieux had been writing for several years prior to this film, mostly journalism and short stories. She had the idea for a story about a Pirandello-like theme, "the study of a woman, the difference between what she appears to be and what she is: appearance vs reality." Mimieux says the more she thought about the character "the more I wanted to play her. Here was the kind of nifty, multifaceted part I'd been looking for.

She wrote a thriller called Counterpoint about a female killer who used her attractive appearance to get close to her victims. She said the character was "not... a good housewife or sex object. The character I wrote is like an onion, layers upon layers, multi-facted, interesting, desirable, manipulative... It's about what people are saying to each other and what they mean."

Mimieux had appeared in two TV movies, Black Noon and Death Takes a Holiday, so took her script to producers Aaron Spelling and Leonard Goldberg who submitted it to ABC as a TV movie. The network wanted some changes. "I created a totally amoral creature who killed people like you'd swat a fly, with no remorse, no regret," said Mimieux. "That was a little too strong for the network.

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