画之国 (2011)
Le Tableau
上世纪30年代,一位法国的画师遗留下许多未完成的作品。在他画里的动画人物,继续找寻属于它们的颜色,期间,它们相互为属于自己的颜色而争执着,最终,轮廓逐渐显现而出,但细节尚未完成。片中涉及艺术学校的创造性元素,以及各式的调色板颜色。
- 上映日期
- 2011-10-12
- TMDB
- 7.0 / 10 (181)
- 片长(分钟)
- 1小时20分钟
- 类型
- 奇幻, 动画
- 导演
- 让-弗朗索瓦·拉吉奥
演员阵容
- Chloé Berthier — Claire (voice)
- Thierry Jahn — Plume (voice)
- Jessica Monceau — Lola (voice)
- Céline Ronté — Garance (voice)
- Adrien Larmande — Ramo (voice)
- Magali Ronsenzweig — Orange de Mars (voice)
- 让-弗朗索瓦·拉吉奥 — Self-portrait / The Painter (voice)
- Julien Bouanich — Gom (voice)
- 赛吉·法利于 — Pierrot (voice)
- Thomas Sagols — Magenta (voice)
- Jérémy Prévost — Monsieur Gris (voice)
- Jean Barney — Venice Painter (voice)
趣闻
- 预算:€400万
- 获奖:1 · 提名:1. 包括:CICFF Professional Jury Award for Best Animated Feature Film
The Painting is a 2011 French animated film directed by Jean-François Laguionie.
Production
The film was coproduced by France's Blue Spirit and Belgium's Be-Films. It took two years to finance and had a budget of four million euro. Jean-François Laguionie designed every character himself. The designs include homages to painters such as Marc Chagall, Amedeo Modigliani, Pablo Picasso and Henri Matisse. Preproduction took 15 months and production took one year. The film was animated in digital 3D.
The Painting is the fourth feature-length animated film by Jean-François Laguionie after Gwen and the Book of Sand, The Castle of the Monkeys, and The Island of Black Mór. The creation of The Painting takes five years.
The script of the film is written by Anik Le Ray, who had previously worked with Laguionie on The Island of Black Mór; she writes the script for The Painting while Laguionie is finishing The Island. Anik Le Ray's initial idea is to conceive a story on the theme of creation. She begins by imagining a story between a painter and his model. However, this initial idea seems insufficient for a film likely to interest children.
Le Ray had no fixed idea about the painter's style while writing the script; the visual universe of the film is clarified later when Laguionie develops it in collaboration with the film's production designer, Jean Palenstijn. Laguionie first invents a historical context for the character of the Painter, situating his career in the 1920s-1930s, and determining his pictorial influences: he draws inspiration from Chagall, Matisse, Derain, Bonnard, a…
The worlds of the various paintings have been designed to not reference too precisely a given historical period: in the initial painting, the costumes of the Toupins mix elements from different centuries, as do the uniforms of the soldiers in the painting about war.
在维基百科阅读更多 · 文本来自维基百科,CC BY-SA 4.0。数据来自 Wikidata。
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