Albert Conti
- Profesión
- Actuación
- Nacimiento
- 28 de enero de 1887
- Lugar de nacimiento
- Trieste, Austria-Hungary [now Trieste, Friuli-Venezia Giulia, Italy]
- Fallecimiento
- 18 de enero de 1967
Biografía
From Wikipedia, the free encyclopedia
Albert De Conti Cadassamare (29 January 1887 – 18 January 1967), professionally billed as Albert Conti, was an Austrian-Hungarian-born Italian-American film actor.
Born in the village Gorizia (now part of Italy), Conti achieved moderate fame as an actor in American films, but first he specialized in law (high school and law college in Graz) and natural science, and married Patricia Cross. When World War I began, he became an officer. His father was Albert, Ritter Conti v. Cedassamare and his mother was Marie Bernhardine Anna (Countess Caboga) a member of an old Ragusan/Dubrovnik noble family. After his discharge from the Austrian army at the close of World War I, he came to America like many other now-impoverished postwar Europeans from both sides of the conflict.
Conti emigrated to the United States via the Port of Philadelphia in 1919. After settling in the new country, Conti was obliged to take a series of manual labor jobs, his patrician background notwithstanding. While working in the California oil fields, he answered an open call placed by director Erich von Stroheim, who was in search of an Austrian military officer to act as technical advisor for his upcoming film Merry-Go-Round (1923).
A better actor than most of his fellow Habsburg Empire expatriates, Conti was able to secure dignified character roles in several silent and sound films; his credits ranged from Josef von Sternberg's Morocco (1930) to the early Laurel and Hardy knockabout Slipping Wives (1927). He appeared in the 1928 silent film Dry Martini as a roué artist. Though he made his last film in 1942, Albert Conti remained in the industry as an employee of the MGM wardrobe department, where he worked until his retirement in 1962.
Películas con Albert Conti
- La parada de los monstruos 1932 · ★ 7.8
- Satanás 1934 · ★ 6.7
- Marruecos 1930 · ★ 6.5
- El águila negra 1925 · ★ 6.4
- Espejismos 1928 · ★ 7.1
- La pelirroja 1932 · ★ 6.6
- La marcha nupcial 1928 · ★ 7.2
- La viuda alegre 1925 · ★ 6.7
- Madame Satán 1930 · ★ 6.0
- El altar de la moda 1934 · ★ 6.6
- Topaze 1933 · ★ 6.0
- Slipping Wives 1927 · ★ 5.3
- Monte Carlo 1930 · ★ 6.5
- Our Blushing Brides 1930 · ★ 5.6
- City in Darkness 1939 · ★ 6.6
- Las Cruzadas 1935 · ★ 6.4
- Suez 1938 · ★ 5.5
- El carrusel de la vida (Los amores de un príncipe) 1923 · ★ 6.2
- Como tú me deseas 1932 · ★ 6.4
- Cruel desengaño 1932 · ★ 6.7
- The Greeks Had a Word for Them 1932 · ★ 5.6
- This Modern Age 1931 · ★ 5.9
- The Common Law 1931 · ★ 5.4
- Café Metropol 1937 · ★ 7.2
- Mockery 1927 · ★ 6.9
- Besos al pasar 1931 · ★ 5.2
- Sinfonía del corazón 1933 · ★ 5.5
- Una mujer con pasado 1932 · ★ 6.2
- Always Goodbye 1938 · ★ 7.2
- El fiscal 1932 · ★ 6.9
- Die Lady von der Straße 1929 · ★ 5.2
- One in a Million 1937 · ★ 7.0
- Jazz Heaven 1929 · ★ 5.9
- Dangerously Yours 1937 · ★ 6.1
- Page Miss Glory 1935 · ★ 6.7
- Nada más que un gigoló 1931 · ★ 5.2
- Shadow of Doubt 1935 · ★ 6.7
- Careless Lady 1932 · ★ 5.8
- The Secret of Madame Blanche 1933 · ★ 4.2
- The Night Club Lady 1932 · ★ 7.1