Vito Acconci
- Known for
- Directing
- Born
- January 24, 1940
- Place of birth
- New York City, New York, USA
- Died
- April 27, 2017
Biography
Vito Acconci (January 24, 1940 – April 27, 2017) was an American performance, video and installation artist, whose diverse practice eventually included sculpture, architectural design, and landscape design. His performance and video art was characterized by "existential unease," exhibitionism, discomfort, transgression and provocation, as well as wit and audacity, and often involved crossing boundaries such as public–private, consensual–nonconsensual, and real world–art world. His work is considered to have influenced artists including Laurie Anderson, Karen Finley, Bruce Nauman, and Tracey Emin, among others. Acconci was initially interested in radical poetry, creating 0 to 9 Magazine, but by the late 1960s he began creating Situationist-influenced performances in the street or for small audiences that explored the body and public space. Two of his most famous pieces were Following Piece (1969), in which he selected random passersby on New York City streets and followed them for as long as he was able, and Seedbed (1972), in which he claimed that he masturbated while under a temporary floor at the Sonnabend Gallery, as visitors walked above and heard him speaking.
In the late-1970s, he turned to sculpture, architecture and design, greatly increasing the scale of his work, if not his art world profile. Over the next two decades he developed public artworks and parks, airport rest areas, artificial islands and other architectural projects that frequently embraced participation, change and playfulness. Notable works of this period include: Personal Island, designed for Zwolle, the Netherlands (1994); Walkways Through the Wall at the Wisconsin Center, in Milwaukee, WI (1998); and Murinsel, for Graz, Austria (2003). Retrospectives of Acconci's work have been organized by the Stedelijk Museum in Amsterdam (1978) and the Museum of Contemporary Art, Chicago (1980), and his work is in numerous public collections, including those of the Museum of Modern Art and Whitney Museum of American Art. He has been recognized with fellowships from the National Endowment for the Arts (1976, 1980, 1983, 1993), John Simon Guggenheim Memorial Foundation (1979), and American Academy in Rome (1986).[6] In addition to his art and design work, Acconci taught at many higher learning institutions. Acconci died on April 27, 2017, in Manhattan at age 77.
Movies with Vito Acconci
- Burden 2016 · ★ 5.8
- Chelsea on the Rocks 2008 · ★ 5.7
- The Golden Boat 1991 · ★ 6.5
- Revenge of the Mekons 2013 · ★ 6.6
- Journeys from Berlin/1971 1980 · ★ 8.8
- You're Going to Die! 2006
- Steven Holl: The Body in Space 1999
- How to Fly 1981
- Seedbed 1972
- Undertone 1972
- Centers 1971
- Pryings 1971
- Digging Piece 1970
- Flour/Breath Piece 1970
- Gargle/Spit Piece 1970
- Conversions 1 1971
- Three Adaptation Studies 1970
- Remote Control 1971
- Association Area 1971
- Claim Excerpts 1971
- My Word 1974
- Turn-On 1974
- Willoughby Sharp Videoviews Vito Acconci 1973
- The Red Tapes 1977
- 14 Americans: Directions of the 1970s 1981
- The Art of Time 2009
- Body Art 1975
- Aktionskunst International. Dokumente zum Internationalen Aktionismus 1989
- America Is Not Ready for This 2012
Movies directed by Vito Acconci
- See Through 1970
- Undertone 1972
- Theme Song 1973
- Centers 1971
- Applications 1970
- Three Adaptation Studies 1970
- Pryings 1971
- Two Track 1971
- Open Book 1974
- Face-Off 1973
- Seedbed 1972
- Remote Control 1971
- Association Area 1971
- Claim Excerpts 1971
- Conversions 1 1971
- My Word 1974
- Turn-On 1974
- The Red Tapes 1977
- Three Attention Studies 1969
- Digging Piece 1970
- Flour/Breath Piece 1970
- Gargle/Spit Piece 1970
- Openings 1970
- Face of the Earth 1974
- Shoot 1974
- Breath In (To) / Out (Of) 1971
- Watch 1971
- Waterways (Burst; Storage) 1971
- Training Ground 1971
- Directions 1971
- Cross-Fronts 1972
- Face to Face 1972
- Hand to Hand 1972
- Go Between 1972
- Anchors 1972
- Break-Through 1970
- Filling Up Space 1970
- Three Frame Studies 1970
- Two Cover Studies 1970
- Concentration/Contemplation Piece 1970