Barry Norton
- 職業
- 俳優
- 生年月日
- 1905年6月16日
- 出身地
- Buenos Aires, Argentina
- 没年月日
- 1956年8月24日
経歴
From Wikipedia, the free encyclopedia
Barry Norton (born Alfredo Carlos Birabén; June 16, 1905 – August 24, 1956) was an Argentinian-American actor. He appeared in over 90 films, starting in silent films from 1925 until his death in 1956. He is perhaps best known for his role as Juan Harker in Universal Pictures' Spanish-language version of Drácula in 1931, the English language role of Jonathan Harker originated by David Manners. Arriving in Hollywood in the 1920s, Norton first appeared as an extra in The Black Pirate (1926) but was soon cast in Fox Films' The Lily that same year. His big break came when he was given the role of Pvt. "Mother's Boy" Lewisohn in What Price Glory?, which turned out to be a huge commercial success. He landed substantial roles in Legion of the Condemned and 4 Devils (both 1928), which were also very successful. His acting was well received by audiences and critics at the time, and during the silent era he avoided being typecast as a Latin lover. One theater owner in Golden City, Montana said, "[Norton] has as yet to show me a bad performance. There's a boy that is a 'natural'."
In the early 1930s, Norton could still get leading roles in major films. Major Hollywood studios started producing alternate-language versions of their prestige productions, and he became one of dozens of Latino actors needed. Drácula was one of these films, but Norton also appeared in Spanish-language versions of Paramount on Parade (1930), The Benson Murder Case (1930), and The Criminal Code (1931). In a few cases, he appeared in both versions of a film. Examples include Storm Over the Andes (Spanish version: Alas sobre El Chaco), The Sea Fiend (El diablo del Mar), and Captain Calamity (El capitan Tormenta), the latter film reuniting him with Lupita Tovar, his romantic interest from Dracula.
In addition to roles in Spanish-territory films, he had roles in numerous major films, usually playing sophisticated Europeans. With the decline in Spanish-language film production in Los Angeles, Norton's opportunities for leading roles became less and less frequent. Though he had a pleasing voice, his Argentine accent seemed incongruous with his appearance. According to some sources, he never mastered English very well. In 1933, he secured what would be his last important role, playing Jean Parker's Spanish fiancé in Frank Capra's Lady for a Day (1933). Although he would continue to work for another 15 years, Norton's last credited screen role would be Should Husbands Work? (1939). For the rest of his career, Norton continued to reside in Los Angeles and obtain small roles in films. Many films he appeared in are now considered to be classics.
Barry Nortonの出演作品
- カサブランカ 1943 · ★ 8.1
- 見知らぬ乗客 1951 · ★ 7.7
- 泥棒成金 1955 · ★ 7.3
- サンライズ 1927 · ★ 7.8
- 80日間世界一周 1956 · ★ 6.7
- ホワイト・クリスマス 1954 · ★ 7.2
- 百万長者と結婚する方法 1953 · ★ 6.8
- 殺人狂時代 1947 · ★ 7.7
- レディ・イヴ 1941 · ★ 7.3
- ケイン号の叛乱 1954 · ★ 7.3
- スタア誕生 1954 · ★ 7.1
- 風と共に散る 1956 · ★ 7.0
- The Big Clock 1948 · ★ 7.3
- クリスマス・イン・コネチカット 1945 · ★ 7.0
- イースター・パレード 1948 · ★ 7.1
- 椿姫 1936 · ★ 7.0
- 巨星ジーグフェルド 1936 · ★ 6.2
- 魔人ドラキュラ(スペイン語版) 1931 · ★ 6.8
- Hellzapoppin' 1941 · ★ 7.3
- Lady for a Day 1933 · ★ 7.1
- 七月のクリスマス 1940 · ★ 7.0
- Imitation of Life 1934 · ★ 7.0
- Dishonored 1931 · ★ 7.0
- Pat and Mike 1952 · ★ 6.4
- いつも上天気 1955 · ★ 7.0
- Hold That Ghost 1941 · ★ 6.8
- Dance, Girl, Dance 1940 · ★ 6.4
- You Were Never Lovelier 1942 · ★ 7.1
- The Black Pirate 1926 · ★ 6.7
- 情熱の狂想曲(ラプソディ) 1950 · ★ 6.4
- Rocketship X-M 1950 · ★ 4.9
- Room for One More 1952 · ★ 6.6
- No Man of Her Own 1950 · ★ 6.9
- Keeper of the Flame 1943 · ★ 6.6
- 生まれながらの悪女 1950 · ★ 6.1
- Above Suspicion 1943 · ★ 6.2
- Ziegfeld Girl 1941 · ★ 6.6
- Mister 880 1950 · ★ 7.2
- 悪の対決 1956 · ★ 6.2
- The Strange Door 1951 · ★ 6.2