Man of Marble (1977)
Człowiek z marmuru
A young Polish filmmaker sets out to find out what happened to Mateusz Birkut, a bricklayer who became a propaganda hero in the 1950s but later fell out of favor and disappeared.
- Date of release
- 1977-02-25
- TMDB
- 7.1 / 10 (96)
- Runtime
- 2h 33m
- Genres
- Drama
- Director
- Andrzej Wajda
- Collection
- Solidarity Collection
Casting
- Krystyna Janda — Agnieszka
- Jerzy Radziwiłowicz — Mateusz Birkut / Maciek Tomczyk
- Tadeusz Łomnicki — Jerzy Burski
- Jacek Lomnicki — Jerzy Burski (young)
- Michał Tarkowski — Witek
- Piotr Cieślak — Michalak
- Wiesław Wójcik — Jodła
- Krystyna Zachwatowicz — Hanka Tomczyk
- Magda Teresa Wójcik — Editor
- Bogusław Sobczuk — TV Editor
- Leonard Zajączkowski — Leonard Zajączkowski, Agnieszka's DP
- Jacek Domański — Sound Man
Interesting facts
- Filmed in: Gdańsk and Kraków
Man of Marble is a 1977 Polish film directed by Andrzej Wajda. It chronicles the fall from grace of a fictional heroic Polish bricklayer, Mateusz Birkut, who became the Stakhanovite symbol of an over-achieving worker, in Nowa Huta, a new (real-life) socialist city near Kraków. Agnieszka, played by Krystyna Janda in her first role, is a young filmmaker who is making her diploma film on Birkut, whose whereabouts seem to have been lost two decades later. The title refers to the propagandist marble statues made in Birkut's image.
Production
It is somewhat of a surprise that Wajda would have been able to make such a film, sub silentio attacking the socialist realism of Nowa Huta, revealing the use of propaganda and political corruption during the period of Stalinism.
Agnieszka has trouble making the film from archival sources and museum collections and from interviews with people whose answers provide partial information on Birkut's life, but who don't seem to know about his current location or situation. The authorities decide that the young student digs too deeply into the recent past, and inform her that their permission to create the film is withdrawn.
The ending of Man of Marble leaves the death of Mateusz Birkut ambiguous. In his script, Wajda had wanted to reveal that Mateusz had been killed in clashes at the shipyards in 1970, a major confrontation that prefigured the rise of Solidarity ten years later, but he was prevented by censorship.
Man of Marble conveys the mood of growing popular discontent. The film also presciently anticipates the future development of the Solidarity union movement by ending with a scene in which Agnieszka finally manages to meet Maciek, Birkut’s son, in front of the gates of the Lenin Shipyard in Gdańsk (where workers stage a historic strike in 1980, precipitating a major crisis for the Stalinist officialdom).
Read on Wikipedia · Text from Wikipedia, CC BY-SA 4.0. Data from Wikidata.
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