Hold That Blonde! (1945)
Watch your wallet! Hold on to your girl! There's a daffy Raffles on the loose!
Ogden Spencer Trulow III is a wealthy kleptomaniac who turned to stealing when he was spurned by a girl. His psychoanalyst advises him to find another girl for a cure. He fastens his interest upon Sally Martin, who happens to be engaged in helping some crooks steal a valuable necklace.
- Date of release
- 1945-11-23
- TMDB
- 6.2 / 10 (12)
- Runtime
- 1h 16m
- Genres
- Comedy
- Director
- George Marshall
Casting
- Eddie Bracken — Ogden Spencer Trulow III
- Veronica Lake — Sally Martin
- Albert Dekker — Police Inspector Callahan
- Frank Fenton — Mr. Phillips
- George Zucco — Dr. Pavel Storasky
- Donald MacBride — Mr. Kratz
- Lewis L. Russell — Henry Carteret
- Norma Varden — Flora Carteret
- Ralph Peters — Mr. Reddy
- Bobby Watson — Edwards
- Lyle Latell — Tony
- Edmund MacDonald — Slasher
Interesting facts
Hold That Blonde! is a 1945 American comedy crime film directed by George Marshall and starring Eddie Bracken, Veronica Lake and Albert Dekker.
Production
The film was originally known as Good Intentions.
Officially it is a remake of Paths to Paradise, a 1925 silent comedy starring Raymond Griffith, inasmuch as both are based on the same play, The Heart of a Thief by Paul Armstrong. However, the storyline was almost entirely reworked, to the extent that the two films have almost nothing in common apart from a few sight gags and a party sequence in which a valuable necklace is the target of the thieves.
The movie was originally offered to Bob Hope, then under contract to Paramount. He refused to do it unless he could make one film per year outside Paramount. The studio refused and Hope was put on suspension. The part was given instead to Eddie Bracken. (Hope and Paramount would eventually resolve their differences and sign a new seven-year contract.)
Filming started 20 November 1944. The part was a favorite of Lake's because it represented a change of pace for her ("it's a comedy, rather what Carole Lombard used to do") and she liked working with George Marshall, calling him "splendid... he's lots of fun, acts out the scenes himself," she said.
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