Subconscious Cruelty (2001)
A surrealistic anthology of horror films; four segments structured as an intense fever dream...
- Date of release
- 2001-04-13
- TMDB
- 4.8 / 10 (83)
- Runtime
- 1h 32m
- Genres
- Horror, Crime
- Director
- Karim Hussain
Casting
- Mitch Davis — Male Performer (segment "Rebirth") / Gloved Hand (segment "Right Brain / Martyrdom")
- Christopher Piggins — Businessman (segment "Right Brain / Martyrdom") / Doppelganger (segment "Right Brain / Martyrdom")
- Sophie Lauzière — Woman On Slab (segment "Ovarian Eyeball")
- Anne-Marie Belley — Hand (segment "Ovarian Eyeball")
- Brea Asher — Sister (segment "Human Larvae")
- Ivaylo Founev — Brother (segment "Human Larvae")
- Eric Levasseur — Lover (segment "Human Larvae")
- Janis Higgins — Girl In Photo (segment "Human Larvae")
- Nadia Simaani — Female Performer (segment "Rebirth")
- Anna Berlyn — Female Performer (segment "Rebirth")
- Nancy Simard — Female Performer (segment "Rebirth")
- Sean Spuruey — Male Performer (segment "Rebirth")
Interesting facts
Subconscious Cruelty is a 2000 Canadian independent experimental anthology horror film written and directed by Karim Hussain and produced by Mitch Davis. It was filmed over a long period of time, from February 1994 to December 1999, and debuted at the Festival de Cine de Sitges in Sitges, Spain, on October 12, 2000. The film went on to screen at several other festivals, including the Stockholm International Film Festival and Amsterdam Fantastic Film Festival before being released on DVD on April 18, 2005. The film was first released in Canada on Friday, April 13, 2001. It screened at Cinema Du Parc in Montreal, Quebec, Canada for two weeks from April 13 to the 28th of 2001.
Production
Hussain began filming Subconscious Cruelty at the age of 19 after connecting with 22-year-old Davis, a producer whom Hussain knew to believe in the project. Hussain felt that the subculture of the mid-1990s, a time when heroin usage was prevalent and nihilism was gaining acceptance in the art world, would be accepting of his film.
The filmmaking process was beset by various problems, including the disappearance of the film negative in a financial dispute, forcing Hussain to hand-cut the positive of the film without knowing if he would ever re-gain the negative. Another setback occurred when Hussain was stopped at the Canada–United States border after a business trip to the United States.
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