The Big Lift (1950)
From the Ruins came Hope and Despair
The Berlin Air Lift from the point of view of two Air Force NCOs who navigate romance in a bombed out post WW2 Germany.
- Date of release
- 1950-04-26
- TMDB
- 6.9 / 10 (28)
- Runtime
- 2h 0m
- Genres
- War, Drama, Romance
- Director
- George Seaton
Casting
- Montgomery Clift — Sgt. 1st Class Danny MacCullough
- Paul Douglas — MSgt. Henry "Hank" Kowalski
- Cornell Borchers — Frederica Burkhardt
- Bruni Löbel — Gerda
- O.E. Hasse — Stieber
- Dante V. Morel — Capt. Dante V. Morel
- John R. Mason — Capt. John R. Mason
- Gail R. Plush — Capt. Gail R. Plush
- Mack Blevins — Capt. Mack Blevins
- William A. Stewart — Capt. William A. Stewart
- Alfred L. Freiburger — 1st Lt. Alfred L. Freiburger
- Gerald Arons — 1st Lt. Gerald Arons
Interesting facts
- Filmed in: Portugal and Berlin
The Big Lift is a 1950 American drama war film on location in the city of Berlin, Germany, that tells the story of "Operation Vittles", the 1948–49 Berlin Airlift, through the experiences of two U.S. Air Force sergeants played by Montgomery Clift and Paul Douglas.
Production
All military roles except those of Clift and Douglas were portrayed by actual military personnel stationed in Germany as themselves. The 19th Troop Carrier Squadron was an actual Air Force unit based in Hawaii and was one of the first to deploy for Operation Vittles in July 1948.
The production crew for The Big Lift arrived in Berlin in May 1949 just as the blockade was lifted by the Russians, and shot actual airlift activity at both terminals. Principal shooting began in July. Montgomery Clift became available after he dropped out of the film Sunset Blvd., in which he was to have been the lead, before shooting began in June.
German actress Hildegard Knef had been cast in the role of Frederica Burkhardt, her first lead role in an American film, and arrived in Berlin on June 16. However director George Seaton and producer William Perlberg had in the meantime been made aware of the circumstances of her wartime relationship with Ewald von Demandowsky, Nazi head of Tobis Film.
Aerial sequences were accomplished, often in bad weather to demonstrate conditions under which the airlift was flown, using a Fairchild C-82 Packet as a camera platform, taking advantage of its removable rear fuselage to take panoramic shots of up to 170 degrees.
Read on Wikipedia · Text from Wikipedia, CC BY-SA 4.0. Data from Wikidata.
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