Der Pakt mit dem Teufel

Der Pakt mit dem Teufel (1991)

Shock 'Em Dead

Martin Paxton ist ein totaler Versager – eine Niete als Pizza-Bäcker, ohne jeden Erfolg bei Mädchen und keiner mag ihn. Doch das ändert sich eines Tages schlagartig. Durch eine geheimnissvolle Voodoo-Frau läßt er sich “verzaubern”, und sein größter Wunsch geht in Erfüllung: Martin wird über Nacht der berühmteste Rockgitarrist mit allem was dazugehört: Geld, Luxusvilla, Sportflitzer und heiße Girls. Aber für welchen schrecklichen Preis! Um selbst überleben zu können, ist er gezwungen zu töten! Sein Körper nimmt keine normale Nahrung mehr auf – er braucht Menschenfleisch.

Erscheinungsdatum
1991-01-31
TMDB
4.1 / 10 (32)
Laufzeit
1 Std. 34 Min.
Genres
Musik, Horror, Thriller
Regie
Mark Freed

Besetzung

Wissenswertes

Shock 'Em Dead, also known as Rock ‘Em Dead, is a 1991 comedy horror film written by Mark Freed, David Tedder and Andrew Cross, and directed by Mark Freed. It stars Stephen Quadros and Traci Lords in one of her first post-adult film roles. The film is a thriller with a music comedy twist, a self-aware take on metal guitarists from the 1980s, and is also notable for featuring Nitro guitarist Michael Angelo Batio as a guitar double. It was Aldo Ray's last film.

Production

The band music and guitar solos were pre-recorded except for the final concert scene in which Batio performed live on film. Supplementary solos were pre-recorded and performed live on film by David Celentano. The band cues (except for Purple Haze) were written by Mark Freed and Robert Decker. There was no back-up guitar on the recorded tracks or rhythm guitarist in the film. The lead vocalist on the band tracks is Rick Livingston.

Director Mark Freed recalled: "When we finished writing the script, it was obvious that the movie was going to need more than just an average guitar player to emulate the role of Angel Martin. This ‘character double’ needed to be a heavy metal, highly skillful guitar player with a dynamic stage presence. The producers and myself agreed that the best man for the job would be Michael Angelo Batio.

Producer Robert Decker also recalled: "I recorded the band tracks in my Santa Monica studio utilizing a Korg 01/W workstation, Emax 8-bit sampler, and a Roland R-8 rhythm composer – recorded on a Otari MX one-inch 16-track". "For the session, Michael showed up with a Dean, twin-necked guitar, which I plugged into a Rockman then direct into the board. Preferring a bit more distortion, I patched in a stomp box that Michael brought as well.

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