Making a Living (1914)
A swindler scams a newspaper reporter-photographer and then, not realizing where the man is employed, applies for a job at his newspaper.
- Date of release
- 1914-02-02
- TMDB
- 5.7 / 10 (109)
- Runtime
- 13m
- Genres
- Comedy
- Director
- Henry Lehrman
Casting
- Charlie Chaplin — The Swindler (uncredited)
- Henry Lehrman — Newspaper Reporter-Photographer (uncredited)
- Virginia Kirtley — Fiancée (uncredited)
- Alice Davenport — Fiancée's Mother (uncredited)
- Billy Gilbert — Jealous Husband (uncredited)
- Emma Clifton — Jealous Husband's Wife (uncredited)
- Charles Inslee — Newspaper Editor (uncredited)
- Beverly Griffith — Seated Man with Editor (uncredited)
- Grover Ligon — Bald Man in Newspaper Office (uncredited)
- Edward Nolan — Cop at Apartment Steps (uncredited)
- Tammany Young — Onlooker (uncredited)
- Edgar Kennedy — Wreck Bystander (uncredited)
Interesting facts
Making a Living is the first film starring Charlie Chaplin. A one-reel comedy short, it was completed in three days at Keystone Studios in Los Angeles, California and was released for distribution on February 2, 1914. In it Chaplin portrays a charming swindler who runs afoul of a news reporter and a Keystone Cop. In addition to co-writing the "scenario" and directing the production, Henry Lehrman performs as the principal supporting character.
Production
Chaplin wears a large moustache and a top hat in the film; he also carries a walking cane. His famous "Little Tramp" screen persona did not appear until his next film, Kid Auto Races at Venice, which was released by Keystone only five days after the studio began distributing Making a Living.
In his extensive 1985 biography of the comedian, Chaplin: His Life and Art, English film critic and historian David Robinson provides further insight into the short's production, including its filming locations, the evolution of the Chaplin's costume selections for his screen debut, and his acting style in some scenes:Chaplin’s first film, Making a Living, was one of Keystone’s more elaborate productions.
Although Lehrman and Reed Heustis are often credited with co-writing the film's scenario, Chaplin in his autobiography offers his view on the screenplay's status when production began. "We had no story", he writes, adding "It was to be a documentary about the printing press done with a few comedy touches." He then states that Lehrman appeared to be "groping for ideas", so as a "newcomer at Keystone" he began to make suggestions.
The footage of street scenes depicts various areas of downtown Los Angeles in 1914. In the scene with the swindler and newspaper reporter fighting in the road, the sign of the Fremont Hotel is shown briefly in the background. That hotel closed in the 1940s, and the entire structure was demolished in 1955.
Read on Wikipedia · Text from Wikipedia, CC BY-SA 4.0. Data from Wikidata.
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