Man-Trap (1961)
Too many men... Too many thrills... Soon - Too much violence!
Helmed by Edmond O'Brien, this slick crime thriller stars Jeffrey Hunter as naïve Matt Jameson, whose Korean War pal Vince Biskay talks Matt into helping commandeer nearly $4 million from a Central American dictator. After Vince is wounded in a gun battle as they're making off with the loot, the duo holes up at Matt's house -- where his boozy, promiscuous wife puts the moves on Vince.
- Date of release
- 1961-09-20
- TMDB
- 5.8 / 10 (17)
- Runtime
- 1h 33m
- Genres
- Drama, Thriller
- Director
- Edmond O'Brien
Casting
- Jeffrey Hunter — Matt Jameson
- David Janssen — Vince Biskay
- Stella Stevens — Nina Jameson
- Elaine Devry — Liz Addams
- Virginia Gregg — Ruth
- Dorothy Green — Vera Snavely
- Hugh Sanders — E.J. Malden
- Frank Albertson — Paul Snavely
- Arthur Batanides — Cortez
- Perry Lopez — Puerco
- Bernard Fein — Fat Man
- Tol Avery — Lt. Heisen
Interesting facts
Man-Trap is a 1961 American neo-noir film about a Korean War veteran who becomes involved in a scheme to steal $3.5 million from a Central American dictator. The film was directed by Edmond O'Brien and stars Jeffrey Hunter, David Janssen and Stella Stevens. The plot is based on the novel Soft Touch by John D. MacDonald, which had previously been serialised in Cosmopolitan magazine in March 1958 as "Taint of the Tiger".
Production
The original title for the film was Hell Is for Heroes, but actor Steve McQueen demanded that his own contemporaneous project, originally called Separation Hill, be given that name. Edmond O'Brien was furious when studio executive Martin Rackin acceded to McQueen's dictate, but, as a leading man and up-and-coming star, McQueen had more clout than O'Brien.
Hunter made the film after King of Kings. He later wrote that the film was "experimental ... our script was not the finest by any means. It was the first time I had worked with an actor-director." He said that O'Brien "... being a very strong performer, interprets each character himself; and at times this can be very very helpful, and at other times it can be terribly frustrating, only because the actor likes to feel that he is an individual and…
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