信使 (1976)
Al-risâlah
此片为《信使》(The Message)的阿拉伯版。麦加，七世纪，穆罕默德与城市的强权者们斗争着，他揭露他们的专横，以及它造成的疾病－奴隶制，暴力，酗酒，特别是，穆罕默德和穆斯林们鼓励人们忘却旧偶像，只崇拜唯一的真主，他们的对手毫不犹豫的迫害并折磨他们的近亲。然而，和平的穆斯林们明白，该为尊重自己的正义而奋战…
演员阵容
- عبدالله غيث — Hamza ibn al-Muttalib
- علي أحمد سالم — Bilal ibn Rabah
- محمد العربي — Ammar ibn Yasir
- منير معاصري — Djafar ibn Abi Talib
- أحمد مرعي — Zayd ibn Harithah
- حبيب العجيلي — Houdhayfa ibn Utba
- حمدي غيث — Abou Sufyan ibn Harb
- منى واصف — Hind bint Utba
- حسن الجندي — Abou al-Hakam
- عبد البديع العربي — Utba
- طيب صديقي — Al-Walid ibn Utba
- محمود سعيد — Khalid ibn al-Walid
趣闻
The Message originally known as Mohammed, Messenger of God is a 1976 epic film directed and produced by Moustapha Akkad that chronicles the life and times of Muhammad, who is never directly depicted.
Production
Moustapha Akkad considered creating a film about Muhammad and the birth of Islam in 1967. The film's script, written by H.A.L. Craig, was approved in its entirety by Tawfiq al-Hakim, a scholar at Al-Azhar University. However, the film's approval was revoked and referred to as "an insult to Islam".
$10 million was raised for the film from Kuwait, Libya, Morocco, Saudi Arabia and the United States and it had a final budget of $17 million. Akkad started filming in 1974, with a crew of 300, 40 actors for both English and Arabic language versions, and over 5,000 people for crowd shots. A $700,000 replica of Mecca was built near Marrakesh and Anthony Quinn was paid $1.5 million according to Michael Ansara.
Filming in Morocco started in April 1974, but Moroccan police forced them to stop filming on 5 August, as Hassan II of Morocco had been pressured by Faisal of Saudi Arabia. Akkad was granted permission to film in Libya after showing unedited film to Muammar Gaddafi and filmed from October 1974 to May 1975. Gaddafi wanted Akkad to also make a film based on the life of Omar al-Mukhtar.
A light bulb on the camera was used during the scenes of characters with Muhammad to represent his immanence. Islamic scholar Khaled Abou El Fadl, who was a friend of Akkad, praised his depiction of Muhammad stating that "To figure out a way to have the prophet become a person without showing him — it was brilliant".
Akkad saw the film as a way to bridge the gap between the Western and Islamic worlds, stating in a 1976 interview:
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